Wednesday, May 15, 2013

Ron Saturno - Comparison of Short stick vs Long stick





If we were to look into the mechanics of boxing we will see a direct connection between mens arm reach and who wins bouts. More men with longer reach will win more fights than men with lesser reach against these men. I have compared the reaches of championship fighters and the comparison holds true. Some might say that there may be other factors than just reach and while this may be true: The fact still remains that a boxer with a longer reach can still fight up close, but a shorter reach boxer can't grow arm length.

 
Let me grab a favored Champion fighter. He has a face tattoo, He used to have constant problems. He hit unbelievably hard. He has relatively short reach. But, he could weave into an opponent with beautiful alacrity. He needed weaving to close the distance against longer reach opponents. Once in, he delivered devastating short body hooks and upper cuts. Poetry I tell 'ya. The only thing that could drop this man in his prime was a great ass in a tight dress, drugs and cops with warrants. I loved the boxing style of Mike Tyson. The man without his gloves on did have issues, but who am I to judge. I've fallen prey to a pretty face and a fat joint myself. We live and we learn.

 
I write this today to make a comparison between short stick v.s. long. In my system, it is said that we prefer the short weapon. "We" ain't one of these. I love a longer weapon, well beyond 24 inches. If we prefer a short weapon than we also prefer its weaknesses. Many of my brethren simply accept the superiority of a short weapon, but cannot succinctly elaborate the short weapon advantages over longer weapons or short weapon weaknesses. If they can, than so much the better for them! At least they are making an informed decision. Many others can't say the same. Short sticks are great and longer sticks are great. I like a longer stick, but can use a shorter weapon just as well. I like to be prepared for most bad time situations. So to me, clearly understanding your chosen weapons ideal usage simply should be a given. If you do match up against an opponent with any weapon: Quick determination of available fighting tactics could be life saving and knowing your weapon is a big part of this. I am going to go a little further regarding weapon lengths, over the next few days. Hope you'll enjoy the ride.



Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Tuesday, May 14, 2013

Ron Saturno - "Espada y daga properly performed violates common sense."




Today's entry concludes the series of articles for now by Master Ron Saturno on Espada y Daga. In case you missed the previous articles, please check out: 


 



I had been writing about the formulation of distance(s) and its effect upon espada y daga. I tried to begin to describe elbow-in v.s. an elbow-out position, when striking. And the most effective ranges of the parabolas formed by the shorter and longer weapon. I know that it was boring, but the information had reasons for its being shared. I was starting to explain the theoretical foundation of Serrada Escrima and its proper use in espada y daga. I was going into the explanation, nuts and bolts. It was boring, but necessary. But, it didn't go over well, so I will save it for my students. They will be given the foundation of Serrada Escrima. They will be fast, hit very hard, will have good footwork and angleation and hopefully if they ever "need" Serrada, will walk away unharmed. And "if" I had any part in this: I will have done something positive in this very ugly world.


When we strike from an elbow in position, we have economy of motion. The elbow tucked-in position helps in speeding the strike and allows us quicker recovery times, to accomplish the next strike. Because the arm mass is closer to the body when we strike from an elbow-in position and because we are using our hips to roll the weapon out. But, we" have" to be a little more closer than usual to accomplish this. It forces us to get closer to our opponent(s) and is somewhat "less" safe because of this reason, "without" a daga. But, with the daga as back-up, it can offer a "lot" of safety and advantages that we wouldn't have "without" the daga. We are hitting faster and harder from a elbow-in position. Since we are using our legs to strike, our arms do not become as tired and we can mentally mind-f*ck an opponent because of the speed and power of our incoming blows.


I did begin to show my private student yesterday the proper use of the daga. The daga kept cutting his hands at unpredictable moments: Unseen, but felt. We need to learn to hide the smaller blade. It must be felt, but seldom if ever seen. I used the daga as a reversal tool as well. We take their mind to the small blade when we cut them and while their minds are transfixed upon the shorter weapon and the pain and damage that it can accomplish, we strike with the larger weapon: heavily and decisively. This is accomplished by a neutral weapon feel. We don't push, press, pull, or hurry our opponent(s). They shouldn't be able to ever "read" our intentions. We want "him/her" to completely commit themselves when they strike. Their complete commitment is their downfall. Espada y daga properly performed violates common sense. We want someone to hit us very hard and very fast! Their commitment is their own undoing. The faster and harder they hit, the easier they are to deal with. This runs against common sense, but it works. If you watch the two videos I put up today here on Facebook: In one of them I was overpowering my opponent. In the other my opponent was overpowering himself. In one video we depend upon being faster and stronger than our opponent. In the other video: Are we using our opponent(s) power against themselves? Hell yes. This is a whole other beast than trying to fight the knife. We don't want to fight the knife, we let the knife fight its owner!




Other articles by Master Saturno:






Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Monday, May 13, 2013

Ron Saturno - Espada y daga, part 3



This is the third in a series of articles by Master Ron Saturno on Espada y Daga. In case you missed the first article, please read: 


 


Espada y daga, part 3. Put a 28" in your hand and make a strike, keep your elbow tucked into your side. The "sweet spot" is about 24-26", measured from the elbow. Most people don't hold their stick, at its very end, we have to account for the lost inches. It is about 10" from elbow to hand and from your hold on the weapon another 16-18" to the "sweet spot", altogether the 24-26", this I have already mentioned. How do we use this knowledge? Angel Cabales gave you very little to hit, but in order to hit someone with his elbow tucked in to his side, he "had" to come "in" toward his opponent. Serrada is a medium fighting style, not a close fighting style like some believe. A medium fighting range, allowed him to still "see" things develop and still allowed him to take advantage of developing events while fighting. He liked to hit with his body, not his arms. Many people do not know that firmly striking someone with a weapon with the body behind the strike adds a lot of free power to the strike. Yes, we can strike with incredible speed with our sticks, but we have to account for weight. Remember, the theorem of power is based upon speed and "weight". 70 mph with a .75lb. stick, does "not" generate the power of 60 mph srick with 200lbs. of body weight behind the strike. Angel Cabales being a smaller man, needed to be behind his blows with "all" of the weight he could behind his strikes. Noodle arm hitting does "not" usually develop fight ending power with a stick. Oh, it hurts like hell, but you don't ask for the license plate of the truck that hit you when you wake up in the hospital: Like you do when hit with body weight behind a blow. This is one of the reasons you see basics taught with "you" facing your opponent's weapon in Serrada. Yes, there are many reasons, but I love my idea anyway. He had to turn his hips into the blow to generate power "if" he was hitting from an elbow tucked position. I know that many have never seen very much of this actually done, but it works.


If you were to hit someone on their wrist/hand from an elbow tucked position: "You" would be in range of "his" weapon. This is why Serrada blocks are done with the hand! Yes, the hand. The stick is only used for stopping your opponent's weapon. Everyone gets sloppy and they start blocking with their sticks, but the basic blocks are "all" hand blocks. In order to tuck and not offer much to our opponent, we almost "have" to perform basic, hand assisted blocks, or become really good in our ability to angle. We can already figure out that espada y daga "can" be really up close and personal. The foot work of Serrada is based around espada y daga. Quick replacement stepping allows the left foot to be brought forward and the left hip to be swung around into the blow/stab. If I were to give an inside block, from the elbow tucked position and you somehow were not hit, your opponent would be coming back around with a number two angle strike. a quick replacement step allows you to quickly and efficiently "face' the next blow, if we can't, we stay and pass the oncoming blow. The female blocks, or tip down blocks: I call them "stickdown" blocks are there to allow you to pass blows without directly "facing" the blow. "All" stick tip down blocks are female blocks, to help you survive a strike when you are not in a position to strike first. OMG! I just realized that I am trying to teach espada y daga in writing. It is just too damn hard to do. Just know this: Angel Cabales came in close, remained close and with his knowledge of Espada y daga, which included footwork, proper angle entries, picking and reversing, he was hard to deal with. I hope to show more espada y daga on Youtube and at my seminars. I hate to cut this short, but just don't want to confuse anyone enough to "not" want to learn espada y daga. I hope as usual that everyone is in the very best of health and that all is well in your lives. God Bless.






Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Sunday, May 12, 2013

IN MEMORY OF: Aaron Banks (August 28, 1930 - May 9, 2013)

Picture copied from Blackbelt Magazine's Facebook page.

On May 9, 2013 (this past Friday), the Martial Arts world has lost a luminary. He was a prolific promoter of the Martial Arts.

Copied from Blackbelt Magazine's Facebook page 2 statuses:




RIP Aaron Banks

In an e-mail, New York City-based karate instructor Paul Mormando, a longtime associate of Aaron Banks, said this about his good friend:

"He was my one and only mentor and the greatest martial arts promoter of his era. I participated in well over 25 Oriental World of Self-Defense shows ... martial arts were his life."

and


RIP
Aaron Banks (1928-2013)

Black Belt just received word that Aaron Banks, a goju-ryu stylist under Peter Urban and a successful East Coast tournament promoter, has passed away. 

Banks, who earned his first black belt in 1962, was perhaps best-known as the creator of the Oriental World of Self-Defense, which he launched in 1966. Subsequent shows took place at Madison Square Garden and other prominent venues, as well as on television.

A tribute to Banks will be published on our website (www.blackbeltmag.com) next week.





My sincerest condolences to the loved ones, students and associates of Great Grandmaster Aaron Banks.



NOTES:

As of this posting, Wiki has not updated their entry on Aaron Banks. Also, Great GM Banks Facebook page lists his birth year as 1930, whereas the Wiki entry has 1928.

Ron Saturno - More about Espada y daga



This is the second in a series of articles by Master Ron Saturno on Espada y Daga. In case you missed the first article, please read: 

 


More about Espada y daga. When I was in Japan I took some courses from stateside schools. One distance school was University of Maryland and another was L.A. City College. I took a history course from a Ph.D. who was a spy during WWII in Europe. He had a permanent limp from being shot in the leg. He was a very knowledgeable man and interesting as hell to listen to. Somewhere in our conversations he let it be known that he was a practicing blade man. In fact, he was the first non-Japanese to be given a license to teach the blade. He was a walking database of the Japanese bladed arts. He took me into the museum that he was the curator of and allowed me to get a much closer look at the swords. Many of the blades were hundreds of years old. He explained the very structure of the blade and how the blades were bendable and even breakable, if used incorrectly. I guess that I was destined to be a blade man. I have been very lucky to have been exposed to many great swordsmen.


He explained that the blade of the Samurai, although many inches long, had a sweet spot about 10" or so down the blade, going back towards the handle. He explained that if we can put the opponent's body within that zone and if we strike with reasonable power and with body follow through, the blade will be allowed to do its job. With FMA sticks of an average length of about 28", this would put the sweet spot of those sticks (blade orientation) of about 6-10" down the stick, at or about 20". For me, this puts the spot in the perfect range of a fuller sized Barong and I love it. Of course, with a stick we can do a lot of tip flick strikes, etc., that shouldn't be attempted with a blade. But, I am blade oriented. If we do the same math with the daga, the sweet spot would be the proper( usage range) length of a sometimes preferred, shorter length Serrada stick. This knowledge makes the daga a comfortable use weapon for a Serrada man, because a Serrada man's constant use of the daga length weapon, allows him a good working knowledge of distance control.


What comes out of this, is "my" preferred weapon(s) and length(s). What also comes out, is that because of the sweet spot of our weapons, we may have to be much closer to our opponent's when striking than many may now believe "necessary". The shorter (daga) weapon used in traditional lock and block's sweet range is typically about the length of a man's arm from armpit to wrist, armpit to shoulder distance of about 24-26". Which just happens to be a reasonable trade-off range with the common 28-30" rattan stick lengths which are currently popular. What I am saying is that Filipino's may not be so dumb. Maybe, there are reasons for 28-30" sticks being popular! What is important to me is that FMA practitioners take the time to study their craft and have a reason for each and everything that they do, in practice and in real life! Remember that if we strike outside of the sweet spots of our weapons, we can bend and even break blades, even the good ones. So, we must take the time to completely understand the nature of our craft, like professionals. Remember professionals get paid: We don't want to pay for our mistakes with our lives. All of the knowledge we pick up should be used to constantly improve our chances of survival, in a combat environment. It is about searching out our own destinies. We don't search to add cumbersome thoughts and movements to our personal arts. We study and learn to remove as much as possible. We want to be mean and lean fighting machines. In hope this post in some way, gets the wheel turning about the nature of lock and block. There is a lot there my friends, but in the end it is about finding out who is faster! Past all of the bullsh!t and hype: If I hit you first I am faster, period. Doesn't matter how I got there first.




Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno


Saturday, May 11, 2013

Ron Saturno - Espada y Daga




So someone calls me yesterday and wants to know why I use short sticks: I don't. Why I stand still doing espada y daga: I don't. He asked a lot of whys, regarding espada y daga. Espada y daga seems to be an ongoing subject. Espada y daga is in my mind the highest level of Escrima attainment. So, I guess that others may feel the same way. We covered a lot of questions and answers.


If we look at the Filipino daga, by American standards, it is a short sword. So we could say that espada y daga is almost a double sword art. It does work very well with reasonable length weapons. If we use really heavy, or long espada's, we usually overbalance and slow our ability to engage the daga. We need to be able to quickly swing the opposite hip into the attack. In order to do this, we may have to step deep left with our daga and insert the blade. We cannot do this easily, if we have over-committed our chops or thrusts with the espada. Getting the back hip back into play is much harder to accomplish with very committed espada attacks.

 
The daga becomes very female when used properly. As Angel Cabales would say, holding up his left hand, "She is the woman, who brings her man (espada) to kill". I was asking him about the use of the daga. A woman cannot beat a man without her feminine wiles. She entices, lures, and then springs her trap. This is how the daga should be used. The daga is to gain attention, mystify, worry a man. While you spend your time with her (the daga), her man (espada) stands by jealous and wanting to harm you. This is the proper use of the daga. I watch people just send their woman (daga) out, without thought of her safety, or her proper use. She is not a mop or a broom. You dress her up in her fanciest black dress, that shows lots of leg and cleavage. You hide her and then put her out when least expected. When the man's mind enjoys her beauty: You finish him quickly. The last thing on his mind was the deceitful b!tch who tricked him to his death. In real terms, you would slip your daga "under" your opponent's leading arm, if he gives a thrust to your right shoulder, as an example. You slip the daga under and along the length of his arm, "hiding" the thrust.


If they attempt "any" movement to harm you: You can place the daga somewhere along your espada to "stop-catch" their strike. You would be making a cross (crusada) with your weapons. This stop catch can be quite unexpected and can literally freeze men in their tracks. It can also cause the blade to jump towards your head, if the movement doesn't stop the espada. But, you can come up under their espada, if you stop their blade and make a quick slice to their arm, parry with the daga, to clear his main weapon and finish with a harsh espada strike.


At the highest levels you can actually parry the opponent's main weapon with the daga to gain "beat" dominance. You can get a valuable half beat, full beat and even a beat and a half ahead of your opponent. You can perform double slices with your espada y daga. The list is endless. But, the main thing is that you have to use your weapons as male and female. Remember, your job is to protect your woman (daga). If you really must put her in danger, or even sacrifice her, than make her sacrifice have meaning. Yes, you can sacrifice an arm to accomplish the kill. The espada y daga that I mostly see being performed is slash and thrust Escrima. Real espada y daga is like a dance. The characters flow together in the dance as if they were one. If the couple get separated in thoughts and actions, than they are no longer a couple! The drama is missing! You are not supposed to know "when" the daga will come at you! And when she comes for you, you are not supposed to know "how" she will come for you! This is how real espada y daga is done. Now days it is thrust with the daga and thrust or strike with the espada and then begin another left-right cycle. So my friends: Dress your b!tch up! Teach her how to use her feminine wiles to lure a man to his end. I sure hope to see some better looking b!tches out there! The ones being shown are "industrial models" that men act like they don't care very much about!






Other articles by Master Saturno:






Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Friday, May 10, 2013

Ron Saturno - "You have to teach everything you know, because this forces you to learn more."




People may wonder why I have taken the time to put down so much information on Facebook lately, which some people may feel is so much different than the normally accepted teachings of FMA. I have even been told that some feel that I shouldn't even call what I do Serrada Escrima anymore. As one of the earliest of the Master graduates of Angel Cabales, I ask: Who the f*ck are you to question me? I don't question you and so I'd severely appreciate the same consideration.The "only" man who really knew Serrada best was Angel Cabales. What audacity on some peoples part, that they assume the mantle of the "all knowing". What egos my friends.


I freely admit knowing just a little, because perfect Serrada infers knowing "all' of the known knowledge of this world. Serrada will die, if there are not enough people willing to push the envelope of knowledge. Hanshi Bruce Juchnik took me aside one day and said,"Ron, you have to teach everything you know, because this forces you to learn more." OMG! I was stunned! What a concept! Rather than hide knowledge, give it away, so you are forced to always be in the search mode. Searching for new and better ways to do things.


This humbles me, because I've struggled so hard just to get to where I am and it Isn't very far at that. The thought of kicking my game up even more, sometimes seems an overwhelming task! The funny thing is that I have never ventured far from my beloved art. I do the same things that all of my other Serrada brothers do. Same basics, same lock and block, same sparring, etc. I have just added my own personal flavor and flair: This is the art part! I still hit the same blows, block and check the same way, but I target specific points which I consider "high value" strike points. This is the science part.


I think my writing on Facebook has about come to an end. There are areas of my research which quite frankly is of a gruesome nature. Lethal chokes, garroting, blade insertions, etc., which can only be considered methods of assassination. I won't teach this on Facebook, or any other public forum and will keep a little for myself and a few of my students. I wish to thank the many who followed my postings. Since I don't have, but a few students: It was nice sharing and opening up to people I don't know, may never know, but hope to know. If you see me on the seminar trail, please pull me aside and say hello: I'd love to meet some new people, every chance that I get. Thanx for following along. God Bless.





A related article by Bobbe Edmonds:  Do You Teach All You Know?


Other articles by Master Saturno:




Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Thursday, May 09, 2013

Ron Saturno - "A reason to live is the greatest gift that a teacher of FMA can ever give."





So the student asks, "Why are you so intense when you teach?".


Actually I answer, "I am very relaxed".


I am intense when I need to be and relaxed when I'm not. FMA requires intensity, but it also requires absolute focus with relaxation as well.


Fear has a really good ability to cause a man to tense up. When a man tenses, he many times loses his ability to think and move quickly, and to be able to capably respond to immediate threats.


Since FMA is blade based: We can easily be put into this situation, which is not good for our survival. There is nothing wrong with fearing a blade. This is natural.


Teaching a student to love life is a greater gift. Yes, love. A reason to live is the greatest gift that a teacher of FMA can ever give. A reason to live will do more to insure the survival of a student than "any" other one thing.


Threaten what a man loves and you can truly touch his very soul. I do not teach anger or hatred. A teacher must quietly and slowly inculcate love into his teachings. He must quietly assert the benefits of love.


Fear of losing the arms of a lover. Fear of losing the ability to give a beloved child their good night kiss. Fear of not telling a loved one that they were sorry for something they may have done. These are the true fears in a humans life. When we teach these types of fears, we as teachers can then reach deeply into the hearts of our students and begin teaching them what martial arts is truly all about. It is about love and fear of the loss of love.


When we can teach them that who comes against us are also friends, brothers, sisters, fathers and mothers of others: We teach humanity. We do not harm when we can walk away. We do not maim when we can harm. We do not kill when we can maim. We should practise love in all things! When we can practise to become so good that we can defeat an opponent without injury: Then we will have become great martial artists.


Many times we teach fear of the unknown opponent. The someone who wishes to harm us, rob us. As an unknown human: It is allowable to do whatever needs to be done to insure our survival. But love "is" truly greater than fear.




Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Wednesday, May 08, 2013

Bobbe Edmonds - Do You Teach All You Know?





I have been training Eskrima, Wing Chun, and Pencak Silat for over 25 years now. Mostly, I only trained for myself, to perfect my technique & understand this unique art to it’s fullest, particularly knife technique. I am not remotely religious, esoteric or mystical, so my focus has been purely on the physical.

I came up from the remnants of the old school system of thinking in the Martial Arts, where you waited, trained & begged for years, even decades before you were given anything beyond the basics. As the years went on & the world opened up (mostly due to the internet) I found teachers who were happy to train & share their art with me, as well as those who wrapped it in mysticism and vagueness, leaving me to guess what I was doing on my own. Foremost of the best was the late Pendekar Herman Suwanda, who for me was a shining example of a man who loved his country and its art so much, you couldn’t stop him from talking/teaching/demonstrating at the drop of a hint that you were interested.

When I decided to teach, I saw no other way than to simply give all I have, and develop students to the best of my abilities. Pa Herman once said that your students are a direct reflection on YOU. If they fail to move properly, it is not their fault, it is YOURS, as is the shame of allowing them to carry on in ignorance. Taking this to heart, I teach each student with their best interest in mind. I have had examples of both good and bad teachers, and I don’t want my students thinking of me they way I thought of some of the bad ones. I would like to be known for giving good training & quality information, not “Well, we know he knows *something*, but he doesn’t really teach it”.

A teacher once said to me "If you know ten arts (skills), only teach seven…Hold back three for yourself."

FOR WHAT, EXACTLY?

Lets suppose for a moment that I actually follow that logic. I know ten skills, and I pass seven on to my students. They in turn pass along only 4 to theirs.

In three generations…where's the ART? What's left?

I have spoken to dozens of instructors in the past several years who believe in teaching by withholding. Not all teach in America, but most do.

Here are a few reasons I have heard:

“You shouldn’t teach everything because…”

1: “They may someday challenge you & use what they know against you.”

            I put this one first because it’s the one most commonly used. It also comes directly out of every Kung Fu movie I have ever seen. If I have even the SLIGHTEST notion that somebody I teach will try to attack me someday, I’ll simply ask him to leave my school. Go train with master Yang & kick his ass in 20 years. I understand that this happens from time to time in Asia, though. However, my thought process still leads me here: Why teach him at all if you suspect? And 15-20 years is a LONG time to hold a grudge!


2: “I put in decades of training, sweat & blood to get this information, I should just give it out in a few years to you?”

            This one also has little reality to it, in my opinion. Yeah, I put in LOTS of time and effort to get this. I have been teaching for over a decade now, but guess what? My most advanced students are nowhere NEAR even a quarter of my knowledge. They can barely retain me teaching a little of what I know over long periods of time…And I teach it by the gallon! They, like myself, must put in the HOURS and the EFFORT to reap the benefits. It will not come in just a few months, or even years. If you attract advanced martial artists to your school, they will naturally have a distinct advantage over your other students, especially if they come from the same style, i.e. Silat. But they would have to be with me for quite a long period of time before they could get everything I have to give.


3: “If they get all they can from you, they’ll leave your school to train somewhere else and you won’t get their money anymore”

            I understand this one better, because there are many who do teach for money. I myself don’t, so it doesn’t matter to me. Also, I encourage my students to seek out other instructors so they will have varied points of view, not just my own. As I said, I want what’s best for THEM, not ME. But for people who rely on student income for their livelihood, I can see some truth to this. But I do have a question: Do you worry about your reputation when a student realizes he isn’t getting the real thing? If word gets around that you won’t show it, where will your finances be then? There is a famous Pencak Silat Guru who was recently brought down because of this. He underestimated the power of the internet. It was what made him famous & popular. It was what ruined him when the word got out about his teaching method.


4: “They have to prove they are worthy of it/loyalty”

            I think after the first few months, that has been proved. My students shouldn’t have to pull me out of a burning building in order to learn all the forms from me. To me, loyalty means that they attend class regularly, pay their tuition on time, and WORK HARD. When I see them sweating & bleeding, trying to work out Kembangan on the double beat, I am reminded that I am as lucky to be their teacher as they are to be my students. I owe them my loyalty as well as vice-versa.

I feel that, although the teacher is the source of knowledge, it is the student who sweats and bleeds for it. After class, the teacher will go home & relax, or focus his attention on other things. The earnest martial arts student will dedicate entire years of his life mastering the art taught to him in school. For this reason, the student deserves honesty in payment for his efforts, and it is a poor teacher who would withhold information in the face of such dedication. For a student who has demonstrated willingness, loyalty, and dedication to his instructor, such martial knowledge as the teacher can bestow should be freely given. It does no credit to the teacher to withhold knowledge for years on end while trying to decide if a student is worthy or not.

If you have accepted a student, then TEACH HIM. If you are unsure, cease all instruction after a few months and ask the student to seek training elsewhere. At my school, there is a one month evaluation period. This month is entirely free to the prospective student, and I encourage them to attend as many classes as possible. If at the end of the first month I don’t think they will work out with the school or myself, they can go elsewhere and no financial loss to them. During that month, I teach a normal curriculum as would any regular paying student that I had already accepted.

This is not to say that a student should be given every single detail in a few days, or even years. Just as food in a full stomach needs time to digest & be converted to fuel for the body, martial knowledge must be dispersed in moderate doses such as the student can take. Too much food on your plate will only cause indigestion, not nourish you. Some knowledge and concepts can only be grasped SLOWLY, through constant repetition and effort.

The thing to understand is that an open training environment encourages growth & trust between teacher and student. By passing on the knowledge, the teacher gets a deeper understanding of it himself (I find this to be true more and more as the years go by). By training hard & trusting his teacher, the student can advance in skill at a steady rate, and experience personal growth augmented by confidence in his abilities. Cultivating an atmosphere of narcissism and teacher-worship only produces sheep, not wolves.

So my question to Martial Art teachers out there; Do you teach all you know?

If not, why?




NOTES

My deepest gratitude to Bobbe Edmonds for his kind permission in allowing me to repost his article.

Photo Credit:  Bobbe Edmonds

You can contact Bobbe Edmonds via Facebook or his blog Thick as Thieves and last but not least, please check out his YouTube Channel.




 In case you missed other articles by Bobbe Edmonds, please check out:

Tuesday, May 07, 2013

Ron Saturno - The Very Heart and Soul of the Filipino Martial Arts



A few days ago I did a live interview for a Filipino Martial Arts based Internet program. I was happy to do it. There were some questions asked that I dearly wanted to answer. One of the questions was about challenges. Many of the stories that I can tell would be considered offensive to people closely involved. Another thing is that I follow in my Master' footsteps, regarding challenges. Angel Cabales would speak of challenges, but he "never" gave names. He would "neve"r put down any opponent and always credited "luck" as being in his favor. I want to share a story today that hopefully will not open a huge can of worms. But, if the story is listened to closely: It will truly get into the very heart of Filipino Martial Arts. It will hopefully be understood with compassion, admiration and respect.


Manong Angel began hearing about Johnny La Coste being spoken of, as the leading Escrimador in Stockton, Ca. The illustrious Dan Inosanto dearly loved the movements of Johnny La Coste and rightfully so. Manong Johnny had a certain way of moving which always puzzled me, but I liked them anyway. Manong Johnny was a friend of my father's and until I began learning Escrima had no idea that he was an Escrimador. Honestly, I seldom heard any mention of Filipino Martial Arts. But, war veteran's seldom speak about the battles they were in, in public. And Escrima was very secretive and unknown, during the time of my childhood. But, due to Guro Dan's heavy public profile and his pushing of Johnny La Coste: The stories of Manong Johnny being a better Escrimador then Manong Angel kept circulating. Manong Angel felt that he was being displaced as Stockton's premier Escrimador. There can be only one.

 
So Manong Angel went looking for Johnny La Coste and found him very sick. He had found his room and knocked upon his door to gain entrance. The exact exchange of words will forever be lost, but it boils down to: Hey! They say you are better than me, so let's fight and find out. Now, according to Manong Angel, this total event happened in Manong La Coste's room. So listen closely:


Manong Angel said that Manong La Coste couldn't move very well, due to his illness. He was speaking to Angel sitting at the edge of his bed. But, Manong La Coste stood up from his bed and said that he wasn't a woman and that he was old and very sick, but that he would fight. If he had to die he wouldn't beg for his life, but die a man. Manong Angel said that Manong La Coste could hardly stand up, when he was speaking to him. Manong Angel said that he couldn't help but shed tears in admiration for the man he was speaking to. He simply said that no, we don't have any problems and walked out. This is the heart and soul of Filipino Martial Arts. A true Escrimador spoke to Angel Cabales that day. Old and sick, he would rather be beat down and even die, than bow down to any man. Angel Cabales teared when he told me this story, many years after the event. He told me this story with deep respect for Johnny La Coste. So it is with a heavy heart that I say: Mabuhay ang Escrima.




Other articles by Master Saturno:





Notes

My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno


Monday, May 06, 2013

NEWS: BEWARE: The Spiritual Blessing Con Game

I noticed a NYPD flyer posted to some shop windows when I visited Flushing, Queens/NYC and checked it out further. Apparently Chinese elderly people are targeted by 1-3 Chinese females scamming the victims by saying they are looking bad, perhaps posessed by evil spirits or something. You and I won't fall for that ruse in all likelihood, but the elderly may. Just shows what scammers can and are willing to do to fleece good people of their possessions.


Although this specific scam is perpetrated by Chinese women targeting the Chinese elderly, it behooves us to have some kind of system in place in handling our dealings with strangers. Check out these 2 articles if you haven't already for a general framework. These should be part of your SOP (Standard Operating Procedure) and ROE (Rules of Engagement):


We must also pass on this information to the elderly and set up their 'defenses'. Many times we are only thinking about our personal safety or of others IF they are with us... we need to extend that out to your parents/grandparents/friends who may be elderly and easier prey for predators.



The NYPD has issued this brochure.



Text below:



NYPD

RAYMOND W. KELLY

Police Commissioner



BEWARE:
THE SPIRITUAL BLESSING CON GAME

THE SCAM UNFOLDS LIKE THIS:



The spiritual blessing con game is a scam that targets elderly women, primarily from the Chinese community. Theperpetrators are typically Chinese women who approach potential victims on the street and engage them in conversation. The perpetrator will convince her victim that he or she is being followed by evil spirits and that bad luck or illness will befall the victim or members of his or her family. The con artist then tells her victim that she will help, but only if the victim brings all of her valuables (money and jewelry) to a meeting place where her belongings will be placed into a “good luck” bag for three days. Unfortunately, when the victim opens the bag she will discover that all of her money and jewelry have been removed and replaced with valueless items.



AVOID FALLING VICTIM TO THIS CRIME, PLEASE REMEMBER THE FOLLOWING TIPS:

  • Don’t believe strangers who say they can remove bad luck or evil spirits.
  • Don’t hand your valuables over to strangers.
  • Perpetrators are Mandarin or Cantonese speaking females 30 - 40 years of age, working in groups of three (3).
  • If you are approached by such a person, or people, call 911 immediately!
  • If you have any information that may help the police regarding these incidents, please call Crime Stoppers @ 1-800-577-TIPS


Stay Safe!




My other blogs on Scammers:


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Stickgrappler's Sojourn of Septillion Steps