Showing posts with label La Canne. Show all posts
Showing posts with label La Canne. Show all posts

Friday, December 29, 2017

Paladin Press - La Canne


La Canne

The Walking Stick Method of Self-Defense, Vols. 1, 2, and 3

with Craig Gemeiner


SKU CANNEDVD-P
805966 051338
80 minutes


DESCRIPTION

La Canne is a traditional system of French stick fighting that transforms a simple walking stick into a formidable self-defense weapon. Developed during the 19th century by legendary close-combat expert Pierre Vigny, La Canne integrates the skills of saber fencing with the tactics of the cut-and-thrust sword, French savate and boxing to create one of the most complete and effective stick fighting systems ever devised. 

In Volume 1, La Canne and savate expert Craig Gemeiner reveals the long-lost secrets of this amazing art and presents detailed instruction in its fundamental skills. Gemeiner's training regimen covers all the basic elements of this combat method, including weapon selection, proper grip, stance and footwork, guard positions, defensive tactics, single strikes, striking combinations, solo and partner training drills and full-speed, full-contact sparring.

Volume 2 reveals the secrets of two-handed cane fighting techniques, including the two-handed high guard, the circling guard, flip-and-flick striking tactics, entries and bridging, and the combative use of the cane in close-quarter fighting. 

Volume 3, also included in this video, takes La Canne methods out of the gym and into the street, demonstrating the situational defensive use of the cane in common attack scenarios. In addition to illustrating the practical self-defense application of La Canne, Gemeiner teaches you how to integrate walking stick and empty-hand tactics into a truly complete self-protection system.

Keep yourself safe with this simple, effective and completely legal weapon by mastering La Canne. For information purposes only.

AUTHOR BIO

Craig Gemeiner is the founder of the Gemeiner Martial Arts Academy in Queensland, Australia, and one of the foremost instructors of Street Savate, sport-style savate, fencing and savate weaponry in Australia. He is also a researcher and historian of the European combat arts and has been a pioneer in the process of rediscovering Europe's traditional self-defense arts and adapting them to modern use. For more information, consult Gemeiner's website.

CHAPTER LIST

DVD CHAPTER LIST 
1) Volume 1 
- History 
- Grip Assessment 
- Exercise 
- Stance 
- Footwork 
- Guards 
- Cuts & Glancing Blows 
- Combinations 
- Reposte 
- Sparring 
2) Volume 2 
- Guards and Counters 
- Cuts 
- Closing Movements 
- Two Handed Stick Work 
3) Volume 3 
- Situational Self-Defense 
- Rough & Tumble 
- Defense Against a Wall 
- Defense from a Chair 
- Weapon Improvisation




Index of Paladin Press site archived pages:


Stickgrappler's Note: I am guessing the Paladin site will be shut down at the end of the year and I'm archiving select Paladin Press pages to my blog to preserve an essential part of martial arts from 1970-2017. Archiving some of my favorite Paladin titles.
 

Friday, August 30, 2013

DVD Sale: Savate and La Canne - ends tomorrow 8/31/2013



If you are interested in Savate or La Canne, please check out my friend's, Craig Gemeiner, DVD sale at:



I'm sorry I posted this on short notice as the Sale ends tomorrow. I neglected to post this earlier in the week when I found out via Facebook.

Although I consider Craig my friend, I've put in my order for the Savate/Defense Dans La Rue DVD bundle, normally $99.95, on sale for $40! Also, in the past I've bought the La Canne DVD's from his catalog and have been meaning to write a review and post, but haven't yet.

My apologies again to you for the short notice on the Savate and La Canne DVD Sale. If you are interested, hope you were able to buy some DVD's before the deadline. If not, try emailing via:

bootfightercatalogue@hotmail.com


Thursday, June 13, 2013

Armando Basulto - La Canne Basics



Check out this vidclip of my friend Armando Basulto demonstrating the basics of La Canne. I'm predominately into the Filipino Martial Arts stickwork and I observed parallels between La Canne and the FMA. After all, we are all Human and have 2 arms and 2 legs. We have our limited Range of Motion. We will all move pretty much the same. Bruce Lee said something similar:

"I don't believe in different ways of fighting now. I mean, unless human beings have 3 arms and 3 legs, then we will have a different way of fighting. But basically we all have two arms and two legs so that is why I believe there should be only one way of fighting and that is no way."

Without further ado, let's check out the La Canne basics, shall we?



For my CaneFighters: Just a quick and dirty review of La Canne de Combat basics, as integrated at Team BAD.





If you know nothing of La Canne, I trust you were perceptive enough to notice the chambering prior to striking. Just a note, what Armando Basulto is demonstrating are the sporting aspects of La Canne, therefore, each strike is chambered. He says:

"...in the modern competitive sport of La Canne de Combat, all coups have to be chambered (correctly) to count."

Armando Basulto authored 2 articles which I've put up on my site with his gracious permission. In case you missed these, here they are:


Also, some earlier entries related to La Canne all by Craig Gemeiner:


Hope you can integrate some ideas of La Canne into your 'game.'




Contact information for Armando Basulto:

Tuesday, April 09, 2013

Craig Gemeiner - La Canne: Savate's Walking-Stick Weapon Art

Photo credit:  Black Belt Magazine
By the 19th century, the walking stick had become the hallmark of distinction, authority and strength. For the gentlemen of the era, it was not only an indispensable fashion accessory but also a source of confidence, security and nonverbal deterrence on the streets of Europe. In its various designs and configurations, the walking stick was also valued at home, where it served as an objet d’art and an effective weapon against invaders.

The French developed the walking stick into a formidable self-defense tool that became known as la canne. Adopted into the traditional savate training halls of the 1800s, it’s remained by the side of the kicking art for more than 200 years.

The Birth of La Canne

Pierre Vigny was one of the most innovative masters of la canne. Born in France in 1869, he began training in savate, English boxing and fencing at a young age. During his teenage years, he often ventured from one academy to another, learning new martial arts techniques and testing his skills against anyone who’d pick up a sword, stick or pair of boxing gloves.

In 1886 he joined the army, where he served as the fencing master for the second regiment of the French artillery at Grenoble. After leaving the military in 1889, he moved to Geneva and opened a combat academy. During this period, he devoted several years to the perfection of his own method of la canne.

Pierre Vigny devised a system that could be described as a mixture of several indigenous European self-defense methods. Many of the passes, thrusts and wards resembled fighting techniques from German swordsmanship, and a collection of the foot skills were borrowed from savate and French boxing.
Upon receiving an offer from Edward W. Barton-Wright to assume the position of chief instructor at the Bartitsu School of Self-Defence, Vigny relocated to England in the late 1890s and introduced la canne and savate to the British. During his time there, he met and trained with two celebrated jujutsu instructors: Yukio Tani and S.K. Uyenishi. From them, he acquired new martial arts techniques for his already efficient repertoire of self-defense skills, after which he formulated his method of personal combat, which included moves from wrestling, savate, jujutsu and sword dueling. The addition of the new techniques was deemed necessary because of the rise of hooliganism throughout England.

Perfecting La Canne

Pierre Vigny’s skill as a fighter and teacher attracted the attention of both the working class and the aristocracy. He served as a coach at the London Boxing Club and instructed at Aldershot Military School. Seeking better business opportunities, he moved to London, where he opened a school in 1903 under the patronage of Grand Duke Michael of Russia and became director and manager of the New School of Self-Defence and Fencing Academy. Interestingly, his wife also taught there, offering ladies instruction in the use of the parasol and the steel-spiked umbrella.

The syllabus at the school catered to students who were interested in a variety of fighting arts. Even though he conducted classes in the fencing foil, sword, savate and self-defense from morning to night, la canne remained Vigny’s pet project. He taught courses that lasted 12 weeks, a length of time he believed was sufficient to give the average person the ability to handle almost any emergency.

Shunning the lighter assault canes that were popular in the academic training halls—Pierre Vigny referred to them as “chopsticks”—he believed that a true walking stick should be rigid and sturdy. Because of his dislike for the less-functional models, he had one produced to his own specifications. Termed the “Vigny self-defense stick,” it was made from a medium-weight Malacca cane with a metal knob mounted on the end. The heavy ball served as the point of percussion, thus adding instant knockout effectiveness to the weapon.

La Canne Goes Global

By 1912 London held little interest for Pierre Vigny, so he returned to Geneva, where he managed the Academy of Sports and Defence for a number of years. He put the finishing touches on what is arguably the most complete and effective stick-fighting system ever devised. Several police, military and martial arts academies adopted his syllabus.

During the 1920s, Superintendent Henry G. Lang, an English officer of the Indian police, was required to search for a less-than-lethal equalizer to oppose the commonly carried lathi. While on leave, he traveled to Europe to learn the Vigny system, and upon his return to India, Lang produced a syllabus that he documented in the now-classic book The “Walking Stick” Method of Self-Defence.

In 1941 Henry G. Lang’s manual was translated into Hebrew, and for a time it was adopted into the kapap curriculum, later to be included as part of the training undertaken by an Israeli spec-ops unit known as Palmach. It’s estimated that up to 50,000 Israelis received training in the walking-stick method.
Pierre Vigny’s influence also reached the United States through jujutsu and fencing instructor Charles Yerkow. By the early 1940s, Yerkow had written a series of books titled Modern Judo: The Complete Ju-Jitsu Library, which served as a supplemental manual for American hand-to-hand combat teams. The section on stick play is based on Henry G. Lang’s “Walking Stick” Method.

Today, practitioners of Vigny la canne are privileged to be able to tap into a system that’s time tested, versatile and still very workable on the street. Anyone looking for a backup to his or her unarmed skills would do well to consider it, for it’s as relevant now as it was 100 years ago.



(Craig Gemeiner is the founder of the Gemeiner Academy of European Combat Arts in Queensland, Australia. He serves as president of and technical director for the Australian Savate Federation Inc.)


Copied from : http://www.blackbeltmag.com/daily/mixed-martial-arts-training/boxing/la-canne-savate%E2%80%99s-walking-stick-weapon-art/

Saturday, January 26, 2013

YOUTUBE: La Canne Vigny in Action!

I posted this great article on La Canne Vigny:

The Stick Fighting Method of Pierre Vigny by Craig Gemeiner

Despite the awesome article, still pictures can only show you so much. Check out this Youtube of Craig Gemeiner in action! This vidclip definitely gives you a better picture (pun intended!) of La Canne Vigny.



 


Subscribe to this channel to see more La Canne in action. Some of the videos is not embed enabled.

http://www.youtube.com/user/StadePierre?feature=watch


Enjoy!


Notes

Craig Gemeiner specializes in the study of traditional Western fighting arts, particularly Savate and its associated disciplines, and adapting them to modern use. He is one of few instructors in the world teaching ‘Defense dans la Rue’ , a system of self-defense developed in Paris during the late 1800s and has given seminars in Australia, Japan, USA, New Zealand and Italy. For an expanded background on his background, please check out:  http://gemeineracademy.wordpress.com/about-us/about-craig-gemeiner/
as well as his various sites below:

http://gemeineracademy.wordpress.com/
http://www.savateaustralia.com/
http://lacannevigny.wordpress.com/
http://defensedanslarue.wordpress.com/
http://bootfighter.wordpress.com/http://www.freewebstore.org/bootfightercatalogue/index.aspx?pageid=1000146  

Friday, January 25, 2013

Practical Fencing With The Cane (Part 1) By Jean Joseph-Renaud (1912)



Part 1 of “Practical Fencing With The Cane” is taken from “La Defense Dans La Rue” written by Jean Joseph-Renaud 1912.

Renaud was a professor of Savate, Jui-Jitsu, La Canne and Le Couteau. He taught the use of the revolver and was well versed in the dirty tricks of the French Apache.

Often featured in French news papers of the era, Renaud offered tips on self defence for both men and women to combat the on going problems with the French Apache.

This article on the cane highlights his thoughts on the long range use of the weapon.

While his writings indicate that he was in disagreement with the larger developments
( arming or chambering phase used prior to striking ) he does acknowledge that their use was valid when finishing of a “groggy” opponent.

Boxing played a large role in Renauds analogy of the strikes used in his approach to French cane .
Special thanks to Martin Prisse for translating this article.


Guard

“En guard” have the cane in front of you, the nails under, like the sword but elbow closer to the torso to avoid someone taking your cane by surprise.


Strike (horizontal) to the right side of the face

From the “en guard” position, without describing the big horizontal circles mentioned in the classical methods the wrist and the forearm must go backward a few centimetres and then go to the right in the same time that the hand turns, stretch the arm nearly completely out (when striking) – otherwise the blow wouldn’t be as violent at the end.

Hit with the nails on top. In the same time cut through lightly but this follow through must not happen after the arm is stretched out like in fencing, but on the contrary in the same time exactly like if you are giving a punch. The action should be that of a punch.



Strike (horizontal) to the left side of the face

From the same position, hit the other side of the opponents face in the same manner but in the opposite direction with the nails under.


Strike (horizontal) to the legs and body

In regards to striking the shin and the body this strike is the same as above.


Strike (vertical) to the head

Let fall the top of the cane and bring it back a little so it describes a circular movement, the thumb is facing under and the elbow is not moved back. Continue the circle and strike down on the opponent’s head, thumb finishes on top.


Feints

Feints are executed like real attacks but stoped approximately half way.


Observations

These principles might irritate some professors who teach that to hit a target 50cms away, it is first required to bring the cane back behind your neck.

Practical Fencing With The Cane _01

Please think about this, a beginner will have to train a few weeks before being able to hit with strength but employing our method he will hit with strength as with the classical method.

In Boxing does the student receive instruction from his American or English professors
(Instructors) to bring back his fist to his shoulder before the hit? In the contrary he is told
“You must throw your fist directly and get in the habit of hitting with strength this way”. It’s the same principle that applies with the cane.

By using a development you will never hit fast and precisely and you expose yourself every time you bring your cane back for a strike.

Practical Fencing With The Cane _0102
Practical Fencing With The Cane _0103


On the contrary, by hitting directly nearly like a punch, with a good final contraction of all the muscles, especially the forearm muscles, you have a lot of strength and good speed – and your attacks are less exposed.

When an opponent attacks you with a development you have the time to execute a violent stop hit and even do a parry if the stop hit was not sufficient.


Developed strikes

Note that when you can expose yourself without risk, then you can use a developed strike. For example in the street, you can simulate the beginnings of a strike to the head looking carefully into the eyes of the inexperienced opponent,

Practical Fencing With The Cane _0104

and then hit the leg with a formidable developed strike. Or if you have already stunned the opponent with several ordinary strikes, you can, with no risk, finish him with a committed strike that you can develop as much as you like.

Many fighters, when their opponent is groggy, will not hesitate to finish with strikes given by the weight of the right arm half swinging half crossing in which they use a lot of preparation and all their body weight and muscle strength -these strikes would be impossible or dangerous to try in front of a fresh opponent.


Where to hit

The areas to strike are both sides of the face, the shins, the wrist and the top of the head if not protected by a hat .


Compound strikes

The feints that I recommend are as follows .
  • Feint a strike to the head, hit to the left or right of the tibia (shin) depending on the position of the opponent, of course never strike the calf muscle which is the same rule with the coup de pied bas (low kick).
  • Feint a strike to the left side of the face and strike the wrist the moment he parries.
  • Feint a strike at the side of the face and hit the tibia.
  • Feint a strike at the left or right tibia and hit the top of the head.
  • Feint a strike at the tibia and strike the side of the face.
  • Feint a strike at the top of the head, and make a strike at the body.
  • Feint a strike at the body with the tip of the cane and make a strike at the face followed by a strike at the tibia.
  • Feint a strike at the face with tip of the cane and strike the tibia.
The feints must be more ” drawn ” than when really executed, the general body attitude and facial expressions trick the opponent more than the actual movements of the cane.


Parry- Ripostes

Parry the left side of the face and riposte with a strike to the tibia.
Parry the right side of he face and reply with a strike to the left side of the face and double to the right side of the face.

Practical Fencing With The Cane _0105

(Like in boxing, you must double or triple the strikes, often, the first strike will not knock your opponent out .)

As soon as the first strike touches, you must give a second- (if the first has been parried and replied, you must of course parry the reply and give another straight away, this is called a counter riposte.)

Parry the tibia, riposte to the head and then double to the shin (right or left depending on the position).

Practical Fencing With The Cane _0106

Parry the right side of the body, riposte to the left side of the face, triple by striking to the head and follow with a strike to the left side of the face.

Practical Fencing With The Cane _0107


Parry left side of the face, triple to the head and left side of the face.

Strike to the right side of the face - double.

Strike to the left side of the face - double.

Strike to the tibia, double it to the head, and triple it with a strike to the right side of the face.

Parry the left side of the face, riposte with a strike using the tip of the cane to the face and double to the right side of the face and tibia.

(The strike with the tip of the cane is executed like a straight shot (thrust) in fencing but the extension and step is performed at the sane time.)





NOTES

My deepest gratitude to Craig Gemeiner for his kind permission in reposting this article to my site. Contents cannot be copied, republished or transmitted without prior consent from him. Copied from http://defensedanslarue.wordpress.com/skills/practical-fencing-with-the-cane-part-1/



You can contact him care of
his various sites below:

http://gemeineracademy.wordpress.com/
http://www.savateaustralia.com/
http://lacannevigny.wordpress.com/
http://defensedanslarue.wordpress.com/
http://bootfighter.wordpress.com/http://www.freewebstore.org/bootfightercatalogue/index.aspx?pageid=1000146

Thursday, January 24, 2013

ARTICLES: Craig Gemeiner - The use of La Canne in Defense dans la Rue – Part one




The following articles will touch on the use of La Canne as taught by ‘Defense dans la Rue’ professor Emile Andre and his instructor Julien Leclerc.


Stance, grip and guard


For practising in the salle (training room), Andre recommends the right or strong side be placed forward with only three-quarters of the upper body presented toward the opponent. The legs are comfortably flexed and the feet spaced one and a half shoe lengths apart. Gripping the cane consists of positioning the hand two centimetres up from the butt or proximal end. The thumb rests along the length of the cane while the fingers are joined in order to hold and secure the weapon.  Generally held forward and slightly to the side of the body line, the forearm is perpendicular with the ground. The cane is positioned along an oblique line with the distal end sighted at the adversary’s face. During training the left hand is placed behind the back in order not to be struck by the movements of ones own cane. Andre tells us this guard is equivalent to tierce or the third position in Sabre. He adds however, in the real world of fighting, the leading hand may need to be placed closer to the body in order to protect it. An interesting characteristic of this holding position is its commonality to both the couteau\(knife) and unarmed waist guard structures. This particular guard should be approached only as a platform in which to train both the coups (strikes) and assaut (sparring )in the salle ( training room) environment. For personal protection in the street, which is the primary focus of Defense dans la Rue, alternative guards will often be required.


Guards for the street

For use in the street Andre mentions one will not always have the time to adopt the guard in tierce, nor may it be necessary to do so. In such a case he suggests a less assertive posture in which the Defense dans la Rue practitioner stands more upright with the left arm partially bent and rested in front of the stomach. The cane is only slightly raised and held across the opposite side of the body in such a manner so as to prepare it for the rapid deployment of blows targeting the hand, wrist and forearm. Andre’s diagram below depicts the use of both the cane and the hard bowler hat working in concert from this guard.


First and foremost, instructors of Defense dans la Rue emphasized weapon improvisation – the principle that you are never unarmed was and is still today well entrenched in the minds of its practitioners. The use of the hat and cane in combination provides layers of both offensive and defensive options covering a number of distances. The first layer, or line of attack, is that of longue or long distance. In this particular distance the cane will be bought into play for the deployment of strikes such as the coup de manchette  (short descending strike) and mouvement l’enleve (a type of raising under cut). Both strikes are directed at the weapon-bearing limb in order to disarm the attacker.

In the event your enemy breaches the first line of attack and enters into the moyenne (mid distance), the long-range use of La Canne is abandoned. Instead, the close quarter techniques of the cane along with the hard bowler hat will act as the second line of retaliation. Utilized as a type of buckler, this hard hat could be slammed into the adversary’s face or snapped out to parry knife attacks. Andre’s diagram depicts the bowler hat being positioned against the abdomen acting as improvised body armour in order to deflect knife slashes at the gut region and absorb thrusts from smaller knives. If the attacker breaks through into the courte (close distance) then unarmed skills would need to be quickly adopted.


A more assertive guard illustrated in Andre’s manual involves holding the weapon in a single-handed hammer grip above the shoulder. Depending on the height and distance of the enemy, short thrusts with the butt of the cane may be delivered along a linear or descending path. Blows to hard targets such as clavicle, check and jaw have the potential to fracture bones, while impacting soft tissues areas of the body will cause numbness and possible paralysis to the surrounding muscle. The force of such strikes could be enhanced if a metal knob is fitted at the end. From this high reference position, blows with the tapered end of the cane can be directed at the enemy’s collarbone or angled to impact the neck or face. This guard offers sound weapon retention, particularly when the left side is positioned forward and the non-weapon hand is held up ready to attack and counter.


At close quarters, in a real fight Andre recommends taking hold of the cane in the middle, with the left hand in front of the right. This two-handed grip resembles holding a bayonet, a cane thrust with the end can be delivered with great force.


Bibliography

Andre, Emile. L’art De Se Defendre Dans La Rue

Paris : Enerst Flammarion, Editeur 1899

Andre, Emile. Manual de Boxe et de Canne

Paris : Ernest Flammarion, Editeur 1904

Almanach Hachette, ON VOUS ATTAQUE, DEFENDEZ -VOUS ! Paris 1902




NOTES

This article is © 2010 by Craig Gemeiner. My deepest gratitude to him for his kind permission in reposting his article to my site. Contents cannot be copied, republished or transmitted without prior consent from him. Copied from http://defensedanslarue.wordpress.com/skills/the-use-of-la-canne-in-defense-dans-la-rue-part-one/.

Craig Gemeiner specializes in the study of traditional Western fighting arts, particularly Savate and its associated disciplines, and adapting them to modern use. He is one of few instructors in the world teaching ‘Defense dans la Rue’ , a system of self-defense developed in Paris during the late 1800s and has given seminars in Australia, Japan, USA, New Zealand and Italy. For an expanded background on his background, please check out:  http://gemeineracademy.wordpress.com/about-us/about-craig-gemeiner/
as well as his various sites below:

http://gemeineracademy.wordpress.com/
http://www.savateaustralia.com/
http://lacannevigny.wordpress.com/
http://defensedanslarue.wordpress.com/
http://bootfighter.wordpress.com/http://www.freewebstore.org/bootfightercatalogue/index.aspx?pageid=1000146 

Wednesday, January 23, 2013

ARTICLES: Craig Gemeiner - The Stick Fighting Method of Pierre Vigny


The stick next to the rock is man’s oldest and perhaps longest existing weapon. Its use as an offensive tool can be found in cave paintings portraying prehistoric society. Evidence exists that the ancient Egyptians had systemised methods of training with sticks of varying configurations.

At one time, every country in Europe had its own indigenous form of stick fighting. During the 1800s the cane or walking stick was an indispensable fashion accessory that accompanied every gentlemen that walked the streets of Europe . While the walking stick offered stability and assisted in preventing simple falls, it was in trained hands, an item capable of averting personal assault. As an instrument of personal defence the French developed the walking stick into a formidable weapon.

The techniques were assimilated from various sources including the Sabre, the cut and thrust sword, Savate and Boxing. This French method became known as la canne.

The French army incorporated la canne into its training curriculum as a means of developing fitness, inner fortitude and bonding by way of competitions with other regiments. The Joinville Military Academy provided compulsory four-month courses in physical culture, which covered, among other things, training in la canne, baton, Savate, fencing and hand to hand combat.

Towards the end of the nineteenth century a professor named Pierre Vigny became renowned for teaching a lethal form of la canne. It was reported that Vigny would test his skills by making nightly excursions into the roughest areas of Marseilles, Paris and Genoa to many a gambling den and drinking hole where he would scrap with any man who would step up to the line.


Vigny%20picture

Vigny was an accomplished professor of Savate, boxing, fencing, wrestling and Ju-Jitsu. He served as the fencing master for the Second Regiment of the French Artillery and was, for a period of time, a Professor of Arms at the Geneva Academy of Fencing. Vigny also held the position of Chief Instructor at The Bartitsu School and introduced la canne to England .

E.W Barton-Wright comments on the influence of the Vigny method –

“After some 15 years of hard work, such a system has been devised by a Swiss professor of arms, M. Vigny .It has recently been assimilated by me into my own system of self –defence called Bartitisu.”

The Vigny method of stick fighting was not as elegant as the academic and sportive systems but lent itself well to street brawls and riots. The skills were anything but complicated and the most direct and efficient attacks were adopted into this combat system of la canne.
 
miss%20Gertie%20Millar 

Gertie Millar ( later to become lady Dudley ) one of the most respected stage performers of the Edwardian era was an avid practitioner of the walking stick and umbrella method of self- defence ” – picture courtesy of Ralph Grasso

Percy Longhurst author of “Jiu-Jitsu and other Methods of Self-Defence” writes-

“It is impossible to convey on paper any idea of the marvellous system of strokes and parries this master (Vigny) has evolved. Against one skilled in his system half a dozen assailants would be powerless, so irrepressibly effective is the use he teaches of the ordinary thick Malacca cane”

The preferred stick that embraced all the qualities necessary to facilitate these efficient skills was constructed from a medium weight Malacca cane with a metal ball attached to one end. The “Vigny Self Defence Stick” was sturdy and heavy enough to allow the metal head to be used as the point of percussion, offering additional weight to the stick. Vigny, who considered its use unrealistic for street defence, shunned the lighter assault cane popular among the academic salles.

Let’s examine several prime skill components of the Vigny’s stick fighting method.


The High Guard

The high guard was advocated as the prime position for attack and defence. Standing with the left side forward (for a right handed person) the rear arm was raised above the head and the point of the walking stick sighted at the opponent’s eyes, the lead arm was extended forward off the bodyline. The chosen grip to accompany this combat guard was a full handed one or fist grip with the thumb folded across the fingers and not along the shaft of the stick. Unlike the waist orientated guards, which require one to first raise or retract the weapon to generate sufficient striking power, the high guard position, as advocated in the Vigny method, preps the weapon ready to strike with very little evidence of one’s intent.

Another benefit of the high guard structure was the additional protection it offered to the weapon-bearing limb. Cuts to the hand and arms were not only permitted but also encouraged.

The Stick Fighting Method of Pierre Vigny_pic1

Defensive Skills

Counter cutting in conjunction with footwork was considered the most effective means of defence. When attacked by an assailant, one needed to rapidly retire by passing the leading foot back while simultaneously bringing the weapon down hard onto any open target. While Vigny considered the parry and riposte a secondary method of defence his high guard structure offered superb shielding capabilities that could combat a wide range of weapon attacks from both single and multiple attackers. With a simple movement of the wrist, the head, face and flanks could be quickly guarded. If pressed at close quarters both hands could be used to grasp the stick and guard a multitude of attacks.

The Stick Fighting Method of Pierre Vignypic2

Offensive Skills

Pierre Vigny incorporated various ways of attacking with the walking stick.

Held with one or both hands the stick was used to deliver cuts or strikes to a variety of targets including the face, head, neck, clavicle, ribs, elbows, wrists, knees and the shins.

Strikes using Vigny’s metal-headed walking stick were facilitated for the most part by the wrist and unlike a thin lighter cane which requires one to use a larger swinging movement to empower the strike, formidable blows could be generated using a simple wrist action.

The short end of the stick, protruding from the edge of the hand, was used as a dagger at close quarters while long-range thrusts were delivered by sliding the stick in a pool cue fashion through the hand.

The Stick Fighting Method of Pierre Vignypic3

While all offensive and counter techniques were initially learnt from one’s strong side, training of the body’s less coordinated side was also emphasised. The left arm, while not as coordinated as the right, still needed to be able to deliver powerful cuts. This ambidextrous approach was considered important especially in the case of the primary arm being injured or incapacitated.

Alfred Hutton author of “The Sword And The Centuries” 1901 points out –

“ For the man can, and does, frisk his cane about from one hand to another, so that his opponent can never precisely tell which hand will deliver the attack, and careful practise of the various lessons will shortly make the student pretty nearly ambidextrous. M. Vigny does not confine himself to teaching a mere exhilarating game of play; he shows his pupils also the more serious side of the system, instructing them carefully in what they should do if attacked by a gang of ruffians”.

Entry Manoeuvres and Disarming

Entry manoeuvres, disarming and infighting played an important role in the Vigny method of la canne. Used only when the opponent possessed superior striking capabilities or was welding a much heavier weapon to one’s own, these entry manoeuvres were initiated while attacking the opponent or guarding his attack. Maintaining a constant forward pressure the free hand could lift, push or pin the opponent’s weapon-bearing limb. Kicks, sweeps, back heels, throws and off hand hits were effective follow ups used to disrupt both the enemy’s balance and ability to attack. A disarmed or grounded opponent was by no means incapable of attack, and where the circumstances warranted one could continue to belabor the enemy with one’s stick.

The Stick Fighting Method of Pierre Vignypic4

Vigny’s influence was felt not only in Europe but also in India .

While on leave in Europe Superintendent H.G Lang had studied Vigny’s walking stick combative method. Upon his return to the Agency Police in Kathiawar Lang taught selected Police officers from various districts. By the 1920s the Vigny system would become the principle method of stick defence for the Indian Police force.

 The Stick Fighting Method of Pierre Vignypic5
The Stick Fighting Method of Pierre Vignypic6

His Highness Maharaja Sir Ghanshamsinhi, Raj Sahed of Dhrangadhra comments on Lang’s use of the walking stick-

“I had the occasion to witness a demonstration of a new art introduced by Mr. H.G Lang in the Agency Police of the use of the walking stick for purposes of self defence and was vastly impressed by his performance. It is really amazing how an ordinary walking stick can be made to serve as a very effective weapon of offence and defence. I consider it an undoubtedly useful art which would be worthwhile for every man to learn.”

During this period moves were underway to introduce the skills to the general public.

The Bombay Provincial Scout Council considered the physical exercise, self- defence and character building aspects of the walking stick method of self -defence highly beneficial for boy scouts.

J. T. Turner, Principal, Rajkumar College , and Member Bombay Provincial Scout Council comments –

“To see what a trained man can do with an ordinary walking stick both in defence and attack is an eye-opener for the uninitiated. I have been privileged to watch a display given by men trained by Mr. H .G. Lang, Superintendent Agency Police, and was much impressed by the sight. It is difficult to realise what an extremely business-like weapon an ordinary walking stick can make without seeing it: I was much impressed, and am convinced that all Boy Scouts should be taught to defend themselves in this way. The training involves physical exercises that are of great benefit in themselves, and teaches a boy to be quick on his feet and to keep cool in an emergency. I propose to introduce it as part of the training of Scouts here”.

With the passing of Professor Vigny many sources incorrectly assumed that his method of la canne also died out. But with all its tradition and undoubted skill it came as no surprise to learn that Vigny’s system would resurface, this time in the United States of America by way of Charles Yerkow. In 1943 Yerkow wrote the book “Modern Judo – The Complete Ju-Jitsu” which consisted of chapters covering Judo, Ju-Jitsu and the use of the walking stick for self-defence.

Basing his stick work on the Vigny-Lang method many of the classical guards, cuts and parries were clearly depicted.

 The Stick Fighting Method of Pierre Vignypic7
The Stick Fighting Method of Pierre Vignypic8

In 1972 a talented self-defence instructor named George B. Wallace added his own signature to the Vigny- Lang method by writing “Stick Fighting for Self- Defense”. Wallace’s book was based on street defence with the walking stick and included among other things cane and kicking integration, counters to body holds and defences while seated in a train or on a park bench. Wallace presented the long range and close quarter skills that had now become a trade-mark of the Vigny system, with careful thought to the environmental conditions of modern society.

The Stick Fighting Method of Pierre Vignypic9
The Stick Fighting Method of Pierre Vignypic10

Pierre Vigny was a man that had more than enough practical street experience. His system would not only encompass techniques for equal cane on cane confrontations but was also intended to combat adversaries armed with knives, clubs and batons and included ways to deal with multiple opponents and even aggressive animals.

With the gun and knife now facing more stringent legislation the carry options for law-abiding citizens are, in some parts of the world, almost non-existent. Fortunately the humble walking stick is currently still legal in almost all jurisdictions.

In looking for an excellent back up to one’s unarmed skills, the non-lethal use of a walking stick coupled with the Vigny method of using it is as relevant today as it was over 100 years ago.

New video now available: “La canne, The Walking Stick Method Of Self Defence Volume 2”


About the Author

Craig Gemeiner is the Founder of the Gemeiner Academy of European Combat Arts located on the Gold Coast, Australia. He is a Researcher and Historian of the European martial arts and teaches separate programmes in Street Savate, Sport Savate, Savate weaponry, fencing, English bare-knuckle boxing and women’s self- defence.

The Gemeiner Academy specialises in teaching the Vigny – Lang method of la canne and along with other individuals from around the world hopes to preserve the skills for future generations to appreciate.

Bibliography

Hutton, Alfred. The Sword and the Centuries or Old Sword Days and Old Sword Ways, London : Grant Richards 1901.

Lang, H.G. The Walking Method of Self-Defence by an Officer of the Indian Police, London : Athletic Publications, LTD.

Longhurst, Percy. Jiu-Jitsu and other Methods of Self- Defence,  London : “The Bazaar, Exchange and Mart” Office. L’ art de la can, nevue Olympique 1912.

Wallace, George B. Stick Fighting for Self- Defense , United States of America : Walmac Books 1972.

Wright-Barton, E.W. Self-Defence with a walking stick, The Different Methods of Defending Oneself with a Walking –Stick or Umbrella when Attacked under Unequal Conditions, Pearson’s Magazine 1901.

Yerkow, Charles. Modern Judo, Basic and Advanced Technique. The complete Ju-Jitsu Library: The Military Service Publishing Co 1943.



NOTES

This article is © 2003 by Craig Gemeiner. My deepest gratitude to him for his kind permission in reposting his article to my site. Contents cannot be copied, republished or transmitted without prior consent from him. Copied from http://lacannevigny.wordpress.com/pierre-vigny/the-stick-fighting-method-of-pierre-vigny/.



You can contact him care of his various sites below:

http://gemeineracademy.wordpress.com/
http://www.savateaustralia.com/
http://lacannevigny.wordpress.com/
http://defensedanslarue.wordpress.com/
http://bootfighter.wordpress.com/http://www.freewebstore.org/bootfightercatalogue/index.aspx?pageid=1000146

Monday, January 21, 2013

ARTICLES: Craig Gemeiner - Le Baton: The 2-handed long stick of DDLR



Introduction:


Defense dans la Rue was traditionally based on four distances that dictated not only specific skills but also emotional responses. The “premiere distance” is one in which the Defense dans la Rue practitioner is not in direct physical contact with the adversary. A number of weapons both improvised and specific were favored at this range. Improvised weapons consisted of the hat, the scarf, the umbrella, the jacket, the chair, along with numerous other devices. Specific weapons comprised “la canne” (walking stick), “Matraque” ( truncheon) “Couteau” ( knife), “canne a epee” (sword cane), “epee” ( dueling sword) , revolver, and “baton” (French two handed long stick).

This short article will touch on the baton as described by Emile Andre in several of his manuals which forms the original template of Defense dans la Rue.




Andre explains the two handed baton or stick is based on the principles of la canne. However due to the batons length, which measures  1.5 meters, along with its additional weight, it must be manipulated with both hands. The reach of the stick allows the point of percussion to be expanded beyond that of the cane, while its size has a demoralizing effect on single and multiple opponents.

Grip:
Gripping the baton involves placing the rear hand towards the butt of the weapon, holding it in a hammer grip with palm facing the lower abdominals. The leading hand is placed forward with the thumb running along the shaft of the stick and the palm placed upward. Both arms are flexed and the dominate hand is placed forward I.E. if you’re right handed your right side would be leading. Andre adds that some styles of baton, in particular the “Joinville” military method, will at times utilize both left and right guards.

The front hand directs the blows of the baton while the rear hand simply acts as an auxiliary, supporting the sticks manipulation. To assist in the dexterity of the left or less coordinated hand, Andre advises that some la canne practice with the less dominated arm would be advantageous.

Footwork is identical to that of la canne and comprises advancing, retiring, half-lunging and lunging.

Strikes:
Andre tells us that the actual blows with the baton are based on la canne and that both use similar principles to Saber fencing. Strikes include ‘Coup de tete’-vertical strike to the head, ‘Coup de figure’: strike to the face, both left and right sides- ‘Coup de flanc’- which includes the kidney and belly and the ‘Coup de jambe’ – strikes to the left and right sides of the leg. 

Due to the batons  length the blow to the wrist ‘Coup de manchette’ is delivered in the manner of a fencing “coupe” and not as a moulinet.


Andre states in his manuals that the thrust with the distal end of the baton scores much less than with the cane but it still should be included as part of your offensive arsenal, particularly as a riposte from the parry of quarte.

Compound attacks:
Compound attacks are kept very simple with all feints being projected as real attacks with conviction. Follow up strikes are usually swung under, over or to the side of the opponents parry.







Parrys:
Parry’s with the baton comprise high prime, prime, second, tierce, quarte and high quarte.  Circular parries in the shape of moulinets are also employed to guard strikes targeting the side of the legs. The moulinets themselves form part of their ripostes depending on the position of the stick.

 

Andre’s syllabus consists of a total of 37 lessons, including combinations, stop hits, feints and ripostes. These lessons require tutelage under a professor (instructor) and Andre recommends each sequence be carried out several times prior to moving onto the next one. 
 


While several of Defense dans la Rue’s specific weapons are antiquated by today’s standards, the training in the two handed long stick does provide solid cross over principles for larger improvised weapons.



Le Baton:  The two handed long stick method of Defense dans la Rue
By Craig Gemeiner (C) 2011





NOTES

My deepest gratitude to Craig Gemeiner for his kind permission in reposting his essay to my site! Contents cannot be copied, republished or transmitted without prior consent from him.

Craig Gemeiner specializes in the study of traditional Western fighting arts, particularly Savate and its associated disciplines, and adapting them to modern use. He is one of few instructors in the world teaching ‘Defense dans la Rue’ , a system of self-defense developed in Paris during the late 1800s and has given seminars in Australia, Japan, USA, New Zealand and Italy. For an expanded background on his background, please check out:  http://gemeineracademy.wordpress.com/about-us/about-craig-gemeiner/
as well as his various sites below:

http://gemeineracademy.wordpress.com/
http://www.savateaustralia.com/
http://lacannevigny.wordpress.com/
http://defensedanslarue.wordpress.com/
http://bootfighter.wordpress.com/http://www.freewebstore.org/bootfightercatalogue/index.aspx?pageid=1000146

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