Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Wednesday, January 24, 2018

REVIEW: Brawl in Cell Block 99 (2017)




Review

I watched Brawl in Cell Block 99 (2017) last night. It starred Vince Vaughan, cast against type IMO, and written/directed by S. Craig Zahler, best known prior as the writer/director of Bone Tomahawk. Vaughan played a character who is hardcore, brutal and uncompromising. He had his own principles/rules/code and he never broke them even when it was prudent to do so for his own good as well as for his wife. His portrayal had this vibe which reminded me somewhat of Javier Bardem's Oscar-winning performance of Anton Chigurh in No Country For Old Men.

The movie is a throwback to the grindhouse prison/payback films of the 1970s. At a running time of 2:12, it may be a tad long and the beginning was slow but necessary IMO to establish his character.
It's very violent, so for those members with young stickgrapplers, best NOT to watch with them.

Good movie. Won't be for everyone.

Trivia

  • During a Q & A at TIFF, the producers commented that the destruction of the car was done by Vince Vaughn himself. The car parts were real and were set up in a way that Vaughn wouldn't hurt himself badly.
  • Vince Vaughn put on 15lbs of muscle and trained as a boxer for 3 months prior to walking on set. Vaughn himself stated that this made the fight choreography much easier to learn.
  • The prosthetic effects were made to look like the 70's style grind house effects.
  • Director S. Craig Zahler wrote this screenplay before writing Bone Tomahawk despite the latter being filmed first.
  • Upon first arriving at the prison, two separate prisoners make reference to a prison in Austria. They are most likely referring to Justice Center Leoben which has been recognized as one of the "nicest" prisons in the world due to its modern and luxurious architecture and furniture.


Friday, February 24, 2017

The Art of War (in a nutshell)



Picture credit:  The Art of War Visualized by Jessica Hagy

"Hence the saying: 

If you know the enemy and know yourself, you need not fear the result of a hundred battles.

If you know yourself but not the enemy, for every victory gained you will also suffer a defeat.

If you know neither the enemy nor yourself, you will succumb in every battle."



I came across a wonderfully illustrated book, "The Art of War Visualized" by Jessica Hagy.

It is said that a picture is worth a thousand words and Hagy's book puts a fresh spin on a classic namely Sun Tzu's "The Art of War."

Hagy uses charts and graphs to breathe life into Sun Tzu's timeless words. I recommend this book. Check it out!



Now let's discuss the '...know yourself...' 

It's easy for many self-help books or life coaches to just say if you want to improve yourself you must first know yourself. Easy to say, hard to do when you don't know the first step on actually knowing yourself. It's not the 'What' but the "How!" How to go about finding out the "How?"


My friend Badger Johnson has some essays which provides insights and tips on the "How":



Check out Jessica Hagy's book and hope Badger's essays helps!


Monday, October 31, 2016

REVIEW: Greg Jahiel - "Smile at Strangers" by Susan Schorn



"Smile at Strangers: And Other Lessons In The Art Of Living Fearlessly," by Susan Schorn
Book Review by Greg Jahiel

The landscape of Martial Arts studies is littered with autobiographies chronicling the background, training, evolution, and adventures of martial arts practitioners. Most of these books are interesting and at least somewhat insightful, but rarely do they motivate the reader to more closely examine his or her own assumptions and approaches to martial arts training. Written in a relaxed and entertaining style, Susan Schorn’s book, “Smile at Strangers: And Other Lessons In The Art Of Living Fearlessly” is a book that does just that.

Susan Schorn came to the martial arts as an adult who, due to both her own personality and the childhood murder of a good friend’s mother, was “dogged by fear and hamstrung by the anger that accompanied it.” After an initial foray into a Korean martial art, she began training at a run-down all-women’s Kyokushin Karate school in Austin, Texas, called Sun Dragon. Sensei Suzanne, Sun Dragon’s founder and head instructor, practiced what the author termed an “empowerment approach” to training – meaning that besides the intense full-contact sparring that Kyokushin was known for, Sensei Suzanne also helped students become more aware of the daily choices they made and the how these choices played out in terms of safety, boundaries, interpersonal relationships, and ultimately their own happiness. By making them more aware of the options they had, students were empowered to make better choices – from the mundane ones they tended not to think about at all, to the life threatening ones we hope no one ever has to make.

I’ve always been pretty egalitarian in my approach to training, and never thought much about the benefits a woman might gain from training exclusively with other women. But as Susan Schorn points out, for some women (especially women who don’t feel physically confident), the absence of men can make training much less stressful and more productive. Furthermore, many of the scenarios that women find themselves in (getting groped on the bus, being catcalled on the street, etc), are ones with which most men (certainly most self-defense instructors I’ve met) have no real firsthand experience. In this regard, training with other women to handle these types of scenarios (along with others that are scaled up to include more overtly threatening and violent ones) makes perfect sense.

There are three main narrative strands in this book: Susan Schorn’s growth as a martial artist; the role her training had on her life outside of the dojo; and Sun Dragon’s slow transformation from a tattered Kyokushin gym run by Sensei Suzanne into a Seido Karate school run by her students (with Sensei Suzanne’s blessing). These threads are woven together in a series of entertaining chapters with titles such as “Fall down seven times, get up eight;” “You’re doing it all wrong… and that’s perfect;” and “Believe it or not, you are more than equal to the challenges you face.” As one would expect from titles like these, Susan Schorn is able to cull from her experiences life lessons which apply to us all.

This is a book I would recommend to any woman who has perhaps thought of training but isn’t sure if the martial arts are for her. I would also recommend it to anyone curious to learn more about Sensei Suzanne’s empowerment approach to the martial arts, and author Susan Schorn’s own journey conquering her fears and, in her own words, learning to smile at strangers.

~Greg Jahiel




NOTES:  My deepest gratitude for this review from my friend, Greg Jahiel! Please check out Greg's other review: REVIEW: Greg Jahiel - "When Buddhists Attack" by Jeffrey K. Mann.

For more information, please check out: http://www.susanschorn.com.

Saturday, October 11, 2014

THIS DATE IN HISTORY: 29 years ago today - Remo Williams: The Adventure Begins (1985) (Full movie)



In 1985, 29 years on this date of Oct 11th, Remo Williams: The Adventure Begins premiered. This movie holds a special place in my heart. I read some of the novels in the Destroyer series on which this movie was based. Loved the novels and was ecstatic that a movie was being made with part of the title: "... The Adventure Begins" hinting at sequels. Was not crazy that Joel Grey in makeup played Chiun (a Caucasian playing an Asian) ... perhaps Mako would've been a better choice, but because he's well-known, the producers may not be able to use him due to their budget.

The interaction between Fred Ward's Remo and Grey's Chiun was spot on IMO. The beauty of the novels was the back-and-forth dialogue between Remo and Chiun and some of the outrageous things Chiun would say. Sad that the movie didn't perform well at the box office. The Destroyer series of novels and this movie was not meant to be a hardcore James Bond type. Perhaps this movie failed in the backdrop of 1980's Hollywood action movies, where standard fare were the movies of macho/over-the-top Arnold Schwarzenegger, Sylvester Stallone, Bruce Willis, Jean-Claude Van Damme, and Steven Seagal to name a few. With that said, if you have never seen this before, I wholeheartedly reco it!

FYI a failed attempt at a TV series did not last beyond the pilot. In case you missed it, I posted it here:



Enjoy!





An NYPD cop is 'killed' in an accident. The death is faked, and he is inducted into the organization CURE, dedicated to preserving the constitution by working outside of it. Remo is to become the enforcement wing (assassin) of CURE, and learns an ancient Korean martial art from Chiun, the Master of Sinanju. Based on the popular pulp series "The Destroyer," by Richard Sapir and Warren Murphy.






Trivia

  • Ed Harris was considered for the role of Remo Williams.
  • The producers were hoping to create a James Bond-style franchise by adapting The Destroyer novels and therefore hired Bond screenwriter Christopher Wood to pen the script. Bond director Guy Hamilton was hired to direct. Remo was considered a "blue collar James Bond".
  • Even though Christopher Wood was credited with writing the screenplay, director Guy Hamilton admitted in an interview with American Cinematographer magazine that he rewrote the screenplay when he was hired to make the picture. He also came up with the Statue of Liberty chase when he saw the statue under construction and realized the potential of the location.
  • Some of the actors who auditioned for the part of Remo Williams claimed to be proficient in the martial art of Sinanju, not realizing it was a fiction derived from the Destroyer novels on which the movie was based.
  • A significant setpiece within the film takes place at the Statue of Liberty, which was surrounded by scaffolding for its restoration during this period.
  • Although the Statue of Liberty was undergoing renovation in preparation for its centennial when the film was made, the filmmakers shot on and around the actual statue and its scaffolding as well as on a full-sized replica (from just below Liberty's book to the top of her torch) which was constructed in Mexico City. Because of weather and scheduling, the sequence required additional photography during the summer following the original mid-December (New York) and late-February (Mexico) shoots. Two different locations photographed during three separate time periods illustrates the value of storyboards and thorough pre-visualization.
  • Joel Grey was offered the role of Chiun several times before accepting it, but kept turning it down because he didn't think he was the right kind of actor for the part. Moreover, Grey had no previous martial-arts experience (and received no such training for the movie once he was cast). What changed Grey's mind was a meeting with Carl Fullerton, the film's make-up artist. Grey said that if he could successfully be made to look like an 80-year-old Korean, he would take the job. Fullerton gave the task his best shot and afterward, a private screen test was held between himself and Grey.
  • The movie was also nominated for the Academy Award for Best Makeup at the 58th Academy Awards but lost to Mask.





For more info, please see:



Saturday, August 02, 2014

Happy 54th Birthday Olivier Gruner! (My review of Nemesis 1992 - Full movie)



Alex: "86.5% is still human."





Introduction
I'm posting this movie because it holds a special place in my heart as well as today is Olivier Gruner's 54th birthday!


Synopsis
A retired cyborg Los Angeles policeman is forced out of retirement and is assigned to apprehend his former partner whom is smuggling data to a terrorist organization that plots to assassinate government officials. Director: Albert Pyun. Writer: Rebecca Charles. Stars: Olivier Gruner, Tim Thomerson and Cary-Hiroyuki Tagawa





My quickie review


As mentioned, this movie holds a special place in my heart because I like Sci-Fi films, especially ones with Cyberpunkish elements which Nemesis has. Also, it's evident that director Albert Pyun is influenced by director John Woo. This movie oozes coolness/suaveness here and there from the gun-fu to the costumes. Story isn't bad either. Solid performances from Gruner, Thomerson and Tagawa plus the other elements of the movie elevate this from the standard B fare to a pretty good B movie and if I may be so bold, one of the better B movies around. It's no Blade Runner, which was super-high budget but a good solid B movie. I love the young Marjorie Monaghan. I see her next with Cary-Hiroyuki Tagawa in the short-lived CBS TV series, Space Rangers. Been keeping director Albert Pyun on my radar as he directed such greats as 1982's The Sword and the Sorcerer, Jean-Claude Van Damme's Cyborg (1989) as well as many others. This won't compete with Blade Runner for best sci-fi all-time, but you will be rewarded with a solid sci-fi/action movie if you have never seen it.


Enjoy! And Happy 54th Birthday Olivier Gruner!!






Full movie







Alternate Ending

(Japanese alternate ending to the 1992 science fiction film Nemesis. End stop motion fight is gone and a tag at the close)







Behind the scenes featurette








For further information:






In case you missed it, here's my review of Gruner's Angel Town:




Sunday, July 27, 2014

Donnie Yen's Dragon (Wu Xia) (武俠) (2011 ) (Full movie)

Please click for larger pic

Today is the 51st Birthday of Donnie Yen!

Posting a recent movie in his honor that was pretty solid.

Enjoy!




Dragon (Wu Xia) (2011)
(Chinese: 武俠; Pinyin: Wǔ xiá)



The film is set in 1917 in early Republican China at Liu Village on the border of Yunnan. Liu Jin-xi (Yen) is a village craftsman whose quiet life is irrevocably shattered by the arrival of two notorious gangsters in the local general store. When Liu single-handedly saves the shopkeeper's life, he comes under investigation by detective Xu Bai-jiu (Kaneshiro). Convinced that Liu's martial arts mastery belies a hidden history of training by one of the region's vicious clans, Xu doggedly pursues the shy hero-and draws the attention of China's criminal underworld in the process.

Cast:
  • Donnie Yen as Liu Jinxi, who is actually Tang Long, the son of the Master.
  • Takeshi Kaneshiro as Xu Baijiu, a detective versed in physiology and acupuncture. .
  • Tang Wei as Yu, Liu Jinxi's wife.
  • Jimmy Wang as the Master, the leader of the 72 Demons and Tang Long's father.
  • Kara Hui as 13th Madam, the Master's wife.







My review:

Donnie Yen was pretty good acting-wise in this movie. At the beginning, he was very restrained and seemed 'ordinary' until his secret is slowly uncovered. Some nice use of CGI when Kaneshiro was investigating the deaths. The CGI was not overused. I tend to not like a full-blown CGI effects movie which generally has the CGI overshadowing the plot and concentrating on what effects can 'wow!' the viewer. So glad, that was not the case in this movie and its use of CGI. I felt this movie was more Kaneshiro's movie and the CSI process (detective procedural) than it was an action movie. Given the plot, the action was subdued a bit and explodes at the end.

Cool to see Donnie using what appears to be Hung Ga in his fights. Great cameos by oldschool stars, Jimmy Wang Yu (One-Armed Swordsman) and Kara Hui (My Young Auntie, Mad Monkey Kung Fu, The Martial Club). There seems to be a desire by Donnie to showcase some parkour. In a chase scene, Kara Hui is after Donnie and he parkours on some rooftops. Great fight scenes.

Overall a solid movie, and Donnie got to showcase some of his acting chops following his great acting portrayal of Ip Man. Showed some other styles other than the standard kickboxing or Wing Chun Kuen. I recommend this movie.



For other Donnie Yen-related posts from me:





For further info, please check out:



Monday, September 23, 2013

REVIEW: Greg Jahiel - "When Buddhists Attack" by Jeffrey K. Mann

Photo Credit:  Tuttle Publishing


I recently finished "When Buddhists Attack: The Curious Relationship Between Zen and the Martial Arts" by Jeffrey K. Mann, and highly recommend it to anyone interested in exploring the relationship between Zen and the martial arts (in particular Zen and the Samurai). There are many things I liked about the book, but foremost among them are the facts that the author is an academic, whose field is religious studies, but who has also practiced Zen and martial arts. This means that he not only has a solid first-hand grasp of both Zen and the martial arts (in this case, Goju-Ryu Karate), but also has academic training in conducting scholarly research. The result is a work of breadth and depth that is surprisingly readable.


The book began with a brief but comprehensive overview of Buddhism, and then moved into a more involved exploration of "Warrior's Zen." On the surface, it may be difficult for modern readers to understand how a form of sitting meditation such as Zen could be of use to warriors whose lives were defined by violent combat. Mr. Mann showed how Zen was in its own way the perfect complement to swordsmanship. Through regular and rigorous meditation, Samurai were able to train their mind to be "fluid and responsive." (p72). Additionally, Zen helped practitioners accept and overcome fears related to their own inevitable death. Thus, on the battlefield practitioners would be more likely to maintain clarity of thought, and be less likely to hesitate or choke up at critical moments.


A common myth among non-meditators which the author helped dispel bears repeating here. The myth is that meditation is a pleasant escape from reality. In fact, nothing could be further from the truth, as the author explained:
"True zazen is not a pleasant escape from our daily lives. It is discipline. Meditation that is not rigorous in its mindfulness is what Omori Sogen calls 'empty zazen.' Such easy sitting 'will be of no use no matter how long, how often, or for how many days we may sit during sesshin. It is far better to sit earnestly even for five minutes.' So, those who find their zazen to be painful, difficult, distracted and mentally exhausting can appreciate that they are not wasting their time." (p 117).
 As one who often struggles with distractions during meditation, I especially appreciated this advice!


This brings us to the next section of the book, entitled "Meditation." While the information related to meditation in this section may not be entirely new to experienced meditators, even long-time practitioners will find material they can apply to their own practice. The author covered basics of posture, breath, and mind. He also explored some of the benefits of meditation. For the martial artist, the benefits are clear
"a strong mind while sitting will be a strong mind while standing; a strong mind while standing will be a strong mind while fighting" (p 119).
For the non-martial artist, there are also benefits:
  • improved concentration,
  • an increased sense of mental and physical well-being, etc. 
But he reminded the reader that to practice Zen in order to gain something misses the point. A basic assumption of Zen is that it simply clarifies what is already there - thus nothing of value is added (which the word "benefit" implies). Additionally, if we become too attached to the idea of obtaining or acquiring something then we set ourselves up to suffer, either in the present (by wanting what we don't have) or in the future (when what we obtain changes, or it turns out to be different from what we thought it would be). This is a fundamental principle of Buddhism. So the author answered the question of benefits in a very Zen-like way:
"...we might say there are benefits to zazen; then again, we might not" (p 123).


The next two sections were of particular interest to me. The first section, "Mushin and mindfulness" explored both Zanchin and Mushin primarily (but not exclusively) within the context of martial arts training and practice. Mushin (the notion of "no-mind") is a concept that is frequently misunderstood, as is the related concept of Zanshin (a sort of passive alertness and awareness). These concepts were examined using examples from Kydo (Japanese archery), Aikido, competitive sport karate, and shodo (Japanese calligraphy), among others. It was refreshing to read about them within these contexts.


The next section, the chapter on Ethics, got into the seeming contradiction of how one who engages in a spiritual practice that is rooted in non-violence can engage in violent acts. At a certain point, anyone who has trained in the martial arts and has an ethical framework which values non-violence is confronted with this contradiction. Indeed, to me this quandary formed the heart of the book. This chapter was nuanced, and explored not only how practitioners themselves could frame violence (for example, justifying a violent act if it prevented greater harm), but also how Zen teachings could (and have been) misused in order to justify violent actions.


In the final chapters, "The Contemporary World of Budo" and "Is it Zen" the author looked at the current state of Budo (primarily Judo, Karate, and Kendo) and wrapped up trying to answer whether Zen is, in fact, present in the practice of Budo. As in the preceding chapters, the author delved into these areas thoughtfully and critically.


When I finished the book I felt like I had been on a wonderful journey. Overall, I think that this book is one of the best non-fiction martial arts/ philosophy books I have read. It stands alone as a comprehensive inquiry into the relationship between Zen and the martial arts, and (with its varied source material, all fully cited) can  be used as a jumping-off point for further research/ inquiry. At 208 pages it is fairly easy to get through. I also suspect that other readers (like me) will be coming back and re-reading for years to come.



~Greg Jahiel




NOTES:  My deepest gratitude for this review from my friend, Greg Jahiel, who is a student of both Zen and the martial arts! Domo arigato gozaimasu Greg!! Please check out Greg's other review: REVIEW: Greg Jahiel - "Smile at Strangers" by Susan Schorn.

For more information, please check out Tuttle Publishing.

REVIEW: Belisarius - "How to Read a Book" by Mortimer Adler





Perhaps ironically, one of the books that I have most enjoyed recently is simply called "How To Read A Book" by a man named Mortimer Adler. Perhaps this book is a useful one to consider, too. As it can be a hard book to find (it was written during the '40s or '50s), I'll try to give the Cliff Notes version:

Adler gives several levels for reading a book:

  1. Pre-Reading: a fast review to decide if a book deserves more careful reading. Read the preface and the table of contents; run through the index quickly looking for familiar and unfamiliar terms; flip through the bibliography. You can actually "drain" a book of major concepts in a short period of time this way.

    You then go to a kind of systematic skimming, flipping through and reading a few paragraphs here and there, and then turn to the very end and read the author's summation of the book.

    Adler believes that this whole process of "pre-reading" should take between thirty minutes and an hour at the most. At the conclusion, you should decide if you want to take your valuable time to read the book in its entirety. Most books will not survive this filtering process, in my frank opinion. There are just too damn many good books out there and too little time to read them for one to screw around with a substandard book. I just put them on my shelf and leave them there.
  2. Superficial Reading: A fast reading which is designed to avoid getting bogged down in technical jargon or superficial detail. Skip the parts that are difficult or poorly written and reserve the right to terminate the whole exercise if it becomes tedious. A writer who cannot articulate his thoughts in a coherent manner does not deserve your attention, unless this is the only possible book to read on the subject in question. That does suck and it does happen.

    If the book gets through this and you think it is worth going through the harder, more technical spots in detail, you have the next level...
  3. Analytical Reading: if superficial reading is the best and most complete reading that is possible given a severely limited time frame, analytical reading is the best and most complete reading that is possible given unlimited time. This level is reserved for those great, timeless works that are trily deserving of being studied in great depth. Lots of notebook paper and supporting research material goes with this level of reading.
  4. Syntopical (also called "Comparative") Reading: at this level, you are interested in an entire subject to the point where you will create your own bibliography and goes through a compare/contrast analytical-level reading process between the books on your list. This can literally take a chunk of a lifetime and is reserved for those couple of subject areas in which you want to become an expert.


NOTE:  My sincerest gratitude to Belisarius for his kind permission in letting me archive his review. Posted to TPI circa 2005.

Wednesday, August 07, 2013

My review of Michelle Yeoh's The Heroic Trio (1993) (Full movie)





Happy 50th Michelle Yeoh! Yesterday was her birthday and today I wanted to review one of my favorite movies with her.



Inspector Lau: You can run along now Chat, we don't need your services here.
Chat: Services? Commander, you make me sound like a hooker. But don't worry, I'm not offended. And this one's a freebie.



Synopsis

An invisible woman is kidnapping newborn babies who are destined to be emperors and delivering them to the mysterious subterranean supernatural Evil Master. The police are powerless, and the city must be saved by three very different women who share a terrible past. Anita Mui plays the mild-mannered wife of a police inspector who's also the mask-wearing, sword-slinging and knife-throwing crime fighter, Wonder Woman. Maggie Cheung plays the shotgun-toting, hard-boiled bounty hunter, Thief Catcher. Michelle Yeoh is Invisible Girl, the troubled but determined strong right arm of the Evil Master.


My Review


This film holds a dear place in my heart. I'm a big Johnnie To fan, who directed this movie early in his career, but when I watched this movie when it first came out in 1993, I didn't know who To was. To was not on my radar until 6 years later in 1999 when I watched one of his masterpieces The Mission. Before I digress further, this review is about The Heroic Trio.

I am not ashamed to admit I'm a comic books fan/reader (well not as much as I get older for lack of time). By now, you, my reader, should know I'm a big action movies fan as well as Hong Kong films fan. When I heard about this movie, my curiosity was piqued as it had 3 beautiful Hong Kong actresses in the lead roles as well as having that fantasy/comics quality about it.The colors, the costumes, the wire-fu, etc. The great Tony Ching Siu-tung served as the martial arts fight director as well as one of the producers. He is best known for being the director of A Chinese Ghost Story series and The Swordsman series. He is action choreographer on Hero, New Dragon Gate Inn, Shaolin Soccer, House of Flying Daggers and many more.

Everything about this movie screams cult classic!

  • Bad guy eating body parts of people he just killed? Check.
  • Flying Guillotine? Check.
  • Rarely seen weapon in movies - Nine-sectioned whip? Check.
  • Maggie Cheung in fishnet stockings, leather jacket, motorcycle-riding and wielding various fireams? Check.

But what elevates this movie for me from the base level of "Girls With Guns" movie is the 'hidden'/overt aspect of the plot. This was one of the films that had a theme of "9-7" (9-7 was what the Hong Kong people called 1997, the year that Britan relinquished control of Hong Kong and gives it back to China). The Hong Kong people didn't know what to expect when China took over. Many of its citizens emigrated elsewhere. Witness one of the biggest Hong Kong directors of the time, John Woo, making an exodus to Hollywood. There is this subtext that was in The Heroic Trio. China, Hong Kong and Taiwan - all mixing it up throughout history - may come to a head in 1997.

Michelle Yeoh is helping the Evil Master kidnap babies who have the destiny to be Emperor. The Evil Master is trying to overthrow the current government and revert back to an Emperor/Dynasty rule. Clearly Michelle's character represents China.

Maggie Cheung's mercenary character only takes jobs if the price is right. Hong Kong is said to be one of the financial crown jewels of Asia. Maggie's Thief Catcher represents Hong Kong.

That leaves Taiwan and Anita Mui's Wonder Woman.

If you haven't watched this already and like action movies with a slight touch of fantasy, check this out. If you love the "Girls with Guns" genre, they definitely check this out. I cannot recommend this movie enough! But when you watch it, just watch it for the surface story/action, don't think too much into the subtext I mentioned. Watch it a second time for the subtext.

Enjoy the full movie below!










Further information available here:



In case you missed my previous entries on Michelle in celebration of her 50th birthday yesterday, please check out:





Friday, August 02, 2013

Happy Birthday 53rd Olivier Gruner! (My review of Angel Town 1990 - Full movie)





Introduction


It's only fitting to review Olivier Gruner's debut movie on his birthday.

A graduate student and martial-arts expert rents a room in a house owned by a single mother who lives there with her son. A local street gang is trying to recruit the son, but the new tenant tries to help the boy's mother keep him out of the gang. When they learn of this, they target both the mother and her new tenant.

 
My review


This movie, like most action movies, won't win any critics over for the story or acting. Most action movies' plots/acting is just a warmup jacket meant to be taken off so the shirt underneath can be seen. The shirt in this case are the action/fight scenes.

The early 1990's Hollywood action movie stars list is a veritable Who's Who with the likes of Jean-Claude Van Damme, Steven Seagal, Chuck Norris, Arnold Schwarzenegger, Bruce Willis, Sylvester Stallone and countless more. Gruner broke into the scene with Angel Town. He was a former World Champion kickboxer and once the action starts, Gruner shows off his kicking skills. A beauty to watch his grace and speed in his kicks. Angel Town is definitely worth a watch for Gruner's kicking. I will be posting some animated GIF's of Gruner in action in the near future.

Enjoy!







Happy 53rd Olivier Gruner! Many many more birthdays to come!!



For more information:



Thursday, July 18, 2013

REVIEWS: My review of Heroes of the East aka Shaolin vs Ninja (1978)



Ho Tao: "The highest order is following the martial arts way."


Introduction


Heroes of the East was also known as Shaolin Challenges Ninja and also Shaolin vs. Ninja. Lau Kar Leung directed this 1978 classic in which Gordon Liu, who plays Ho Tao, a Chinese man marries a Japanese bride. She practices various forms of Japanese martial arts around the house and breaks things and seems un-ladylike to Ho Tao. There is a misunderstanding between husband and wife over which country's martial arts are better. She goes back to Japan to seek her childhood friend and sensei, Takeno, played by the great Yasuaki Kurata.




Ho Tao trying to use reverse pyschology to get his wife to return home writes a letter stating that the Chinese martial arts are superior to the Japanese martial arts. His plan backfires as Takeno reads the letter and departs for China along with his sensei and 6 other Japanese martial arts experts to take up Ho Tao's challenge.





At this point in the movie, it's almost all non-stop fights until the exciting final fight between Takeno and Ho Tao. We are treated to sunch great matchups including:

  • Karate vs Drunken Fist
  • Yari vs Qiang (spear fights)
  • Nunchuku & Tonfa vs 3 sectioned-staff
  • Sais vs Butterfly swords
To Lau Kar Leung's credit, the matchups highlighted the strengths and weaknesses of both the Japanese martial arts and Chinese martial arts. Look for him in a cameo as a drunken master 'teaching' Gordon Liu's Ho Tao the Drunken Fist.



My Review


This is my all-time favorite Gordon Liu/Lau Kar Leung movie! Yes, even over 36th Chamber of Shaolin aka Master Killer, which is #2 on my list. Director Lau departs from the then popular Shaw Brothers theme favored by director Chang Cheh, namely:  heroic bloodshed. The hero, although injured and bleeding, will continue to fight on heroically (and unrealistically) until the last enemy has been vanquished. Lau Kar Leung's movies always explores themes of hard work paying off, honor, respect, and the relationship between master and student. In the Chinese martial arts, this is called Martial Morality (武德 - Mo Duk in Cantonese and Wu De in Mandarin).

The respect theme is evident in Heroes of the East as the Japanese are not cast as the stereotypical villains e.g. Bruce Lee's The Chinese Connection. No one was killed in this movie which was also not the norm further showing honor and respect. What was to be a friendly match of skills turned into a heated battle to prove one martial arts superiority over the other due to a misunderstanding due to language barrier when Ho Tao didn't accept the Kenjutsu expert's katana when Ho defeated him. Ho was humble in victory after each match and in the end, he honored all his opponents.

Also, part of Lau Kar Leung's legacy and how his is divergent from Chang Cheh's is the addition of strong female characters. In Chang's heroic bloodshed movies, female characters are almost non-existent. Lau in Heroes of the East, gives us Yuka Mizuno as Yumiko "Kung Zi" KĹŤda. Another is Kara Hui in My Young Auntie.


This movie didn't have the extended training sequences Lau is known for, but it makes up with the great fights between Liu and his seven opponents. I wholeheartedly recommend this movie!



Enjoy the full movie below! For those who are watching this movie for the first time, I have three words for you. I ENVY YOU!








Further information:



Other full movies posted to date:



Lau Kar Leung passed away almost one month ago. Please check out these entries:



My friend David Black Mastro, also known as TrueFightScholar on some of the martial arts forums, wrote 2 great articles on the spear in both the Japanese & Chinese martial arts. If you have not read it before, please check it out here:


Hope you enjoyed the movie as well as some of the readings!

Wednesday, July 17, 2013

REVIEWS: My review of The Man From Nowhere (2010 Korean - Full movie)




Tae-shik: "People like you live only for tomorrow. People like you get f*cked up by the people living for today. I live for today."



INTRODUCTION


The Man From Nowhere (aka This Man) was Korea's highest grossing film in 2010! It won 7 awards in Korea as well as being the highest grossing film ever in Korea. EVER!

The character Tae-Shik is a retired Black Ops agent after his pregnant wife was killed. He runs a pawn shop to pass the time and befriends a young girl, So Mi. So Mi’s junkie mother stole something from the Korean Mob and they come looking for her. They take the girl,  and that gets Tae-Shik involved as he looks to rescue So Mi. He is brutal and relentless in his quest to rescue So Mi.

If I had to describe The Man From Nowhere in one line, it would be:  Taken Meets Leon (aka The Professional). 


MY REVIEW


There are only a few videos that after watching, left me so pumped full of adrenaline that I couldn't sleep that night ... so much testosterone flowing! The Man From Nowhere is one such video.

The handsome Bin Won plays Tae-Shik. I’ve not seen his previous movie, but he garnered critical acclaim in his role as a mentally-challenged son in the murder mystery, Mother.  Not an original story, but well-executed by director Jeong-beom Lee and Bin Won. Let's be realistic, I didn't watch this action movie for the well-acted, albeit slightly cardboard characters. I watched this action movie for the ACTION and boy does it deliver!

The breath-of-fresh-air action scenes are top-notch and helps this movie to stand out from stereotypical action fare. The first action scene is off-camera and the audience sees the after-effects of Tae-Shik’s handiwork. We can see the aftermath of what this bad@ss did. Tension builds in his bad@ssery until we see Tae Shik in action fo'rizzle! Nice fight in a nightclub’s bathroom stall – all close-quarters brutal and rapid strikes. The last fight scene of the movie, especially the knifefight is one of my favorites all-time! In the extras on the DVD, "The Making of" mentions that the fight choreographers looked to the Filipino Martial Arts for Tae-Shik’s fights. FMA is seldom-seen in Korean movies. Mabuhay ang Kali! I rewatched that knife-fight 5x that night I first watched this movie!

If foreign films are not in your wheelhouse, you should pass on this. But to others, especially to those looking for fresh-looking fight scenes instead of the generic sped-up kickboxing fights of say a Jackie Chan movie (not that there’s anything wrong with that), I highly recommend this Korean film to anyone interested in action films.


Here is the full movie! Enjoy!






Further information:



Other full movies posted to date:

Tuesday, July 16, 2013

REVIEWS: My review of Yamada: The Samurai of Ayothaya (2010) (Full Movie)



Introduction


Yamada:  Samurai of Ayothaya (2010) is based on the historical figure Yamada Nagamasa. This Japanese adventurer would settle in Thailand away from his native Japan. He would go on to gain considerable influence in a region in Southern Thailand in the 17th century. This movie was loosely based on that historical figure.


My Review


After watching Tony Jaa's Ong Bak many years ago, I thirsted for more Thai bareknuckle action. Along the way there were a few movies, most notably Jaa's Tom Yum Goong (aka The Protector). I also liked the kenjutsu of such films as Christopher Lambert's The Hunted (the heart-pounding train scene!) as well as Tom Cruise's The Last Samurai.

A friend had recommended Yamada:  Samurai of Ayothaya to me. He knew of my passion for martial arts/action movies and in fact, he was the one who introduced me to Tony Jaa and Ong Bak. When I watched Yamada, I was at the edge of my seat! After I finished watching the movie, I was so hyped up, I couldn't sleep! Only a few videos have done that to me which includes the aforementioned Ong Bak, the first UFC event, and the Dog Brothers Real Contact Stickfighting series. There is one other movie which I will post my review in the future. It's a 2010 Korean movie - The Man From Nowhere. That movie also kept me up throughout the night, more than a double expresso!

This movie has been described as Ong Bak Meets The Last Samurai which describes it pretty much in as little words as possible. If you didn't like Ong Bak or The Last Samurai, then pass on this. But if you are like me, thirsting for something new fighting moves onscreen, Thai bareknuckle is a beauty to watch. Prepare for a visual feast! Additionally, a few real-life Muay Thai champs have roles in this including Buakaw and Anuwat. Combine the bareknuckle with good onscreen kenjutsu you have Yamada. I highly recommend viewing this!!

Below is the full movie with English subtitles. Enjoy!








For further information:




Other full movies posted to date:

Thursday, May 02, 2013

REVIEW: My review of "The Man with the Iron Fists (2012)"



The RZA (of the hip-hop group Wu-Tang Clan) starred and co-wrote the script. This was also his directorial debut.


Here's the trailer:

 

I wanted to like it. I knew it was homage to Oldschool Shaw Brothers films. Did I say that I really wanted to like it? Well I didn't. 


 

Something or a few things were missing. I can't put my finger on it but the ingredients for an epic oldschool-styled movie were there: 

  • Oldschool legends Chen Kuan-tai and Bryan Leung Ka Yan in cameos
  • Rotties Lucy Liu and Jaime Chung
  • Characters/names homage to The Kid with the Golden Arms
  • Exotic weapons
  • Cung Le was in it too



Perhaps this movie had TOO much things going on. By that I mean, it had too many elements as homage to the oldschool movies. If a few elements were used, it may have worked. Almost all the homage elements were used. As a whole, the movie didn't quite work for me.


Pass on this if you haven't seen it yet.



For more infomation:


Tuesday, January 11, 2011

REVIEW: “Village of the Keris” DVD


When I think “Thailand martial arts”, Muay Thai, Krabi Krabong and the various bareknuckle styles comes to mind. Little did I know that in the Southern region of Thailand, Silat is practiced instead of the indigenous Thai arts. In the “Village of the Keris” DVD, some of the Sila (Thai Silat) as practiced in Southern Thailand are demonstrated from the various lineages.


The meat of the DVD has Guru Atabu instructing on the making of the Keris as well as a form and application. Like Muay Thai’s 1-2-Round Kick, the “Village of the Keris” DVD is a good combination of overview, history, and technique. Excellent production values and good information makes this a good DVD. I highly recommend the “Village of the Keris” DVD to anyone with interest in Silat, Keris, Thai arts, as well as to any martial artists who contemplate travelling to different countries to train from the source.

For ordering, please go to http://www.thaikris.com/.

Thursday, March 25, 2010

A Word About My Reviews

I have to get this off my chest. In the interest of full disclosure, my reviews will be from the point of view of a beginner. We are all of varying skill levels, experiences and understanding in the martial arts. What you may find not useful to you, I may find merit in. Vice versa, I may find something I don't like and you would like.



I view myself as a beginner in the martial arts. I am not being humble, just honest with you. Although, I have a strong interest in the martial arts since I was a kid, I have not practiced since I was a kid until present. I was in and out. If I did keep it up, I can probably be called an 'expert' given my time put into the martial arts. But alas, I am far from an expert, maybe a knowledgeable beginner. My main areas of focus are the Self-Defense, Filipino Martial Arts and Jeet Kune Do Concepts. My secondary areas are Wing Chun Kuen, Muay Thai, Boxing and Tai Chi. And although I won't list them, there are a few more styles/systems/arts I am into which I have but an inkling of knowledge/experience in. It is from this background, this "lens" if you will, that I will be reviewing.




I dread writing reviews. So far, my site doesn't have many reviews.Whatever reviews I do have on the site are generally if I liked it or not. I am not a writer. I struggle with composing what I want to write when I care about what I write. Most times, I post on forums and those writings tend to be during a break in the workday. My concentration is mainly on work, but I divert some attention to posting when there may be a lull. Those posts tend to be quickies, that is, I was not out to write an article, just expressing my thoughts briefly. My reviews will be thought-out and not a quickie.

What will my reviews entail? I don't have a set format yet. It will include any combination of the following:


  • Whether I liked it or not
  • Things I didn't know
  • Has it changed my view on anything
  • Is the author right or wrong 
  • Favorite quotes
  • What was my take-away from it
  • A link(s) to other reviews on the net

Also, reviews are tricky in that I will be reviewing some of my friend's products. I will not lie to you, that's not who I am. I will write out explicitly that it is a friend's product I am reviewing. However, please know that, even though it is my friend's product, I have purchased it. I did not receive it free. I will write an objective review.  I and my site are not out to sell you anything. You will not see Google Sense Ads here. I will not have anything for sale here.  This site is not out to "pimp" my friend's products.

Now that that is out-of-the-way, are you ready for some reviews?

Tuesday, December 30, 2008

Another review on Rory Miller's MEDITATIONS OF VIOLENCE

Check out Mokuren Dojo's review of Rory Miller's MEDITATIONS OF VIOLENCE. Below is an excerpt:

A few weeks ago I had the distinct privilege and pleasure of being asked to review Rory Miller's new book, Meditations on Violence. I was really looking forward to this book. It got fabulous hype from every reviewer; one even went so far as to call it "life changing." Let me tell you, there is probably nothing that stands a greater chance of making me skeptical than being told that a martial arts book is life changing. Ok, so maybe if the author's title is something like, "10th dan shihan-dai soke jedi master" - maybe then I'd be more skeptical, but telling me that a martial arts book is "life changing?" Come on...

This book is nothing short of remarkable, truly informed, and inspiring. This is easily the best martial arts book I've ever read. Period. You simply must read this book and think about these ideas that Rory presents if you want to claim to be a martial artist.

...

Monday, December 31, 2007

REVIEW: Krabi Krabong: The Buddhai Sawan Path Deluxe 2 DVD set

"The sword was the principle weapon during the turbulent history of Siam but the art of fighting was taken a step further in skill by warriors who fought with blades in both hands."

- Por Kru Samai Mesamarn

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Product Description

Krabi Krabong: The Buddhai Sawan Path is the first groundbreaking series to accurately document the ancient system of Thai weaponry. The art of Krabi Krabong as it was taught at the original Buddhai Sawan was a highly refined fighting system whose effectiveness was linked to an individual warrior's agility, strength and speed of attack. A thorough knowledge of body mechanics enabled those skilled in its use to engage in combat with a wide variety of weapons, delivering devastating blows with an elegant simplicity of movement.

Krabi Krabong translates into the study of the short and long traditional Thai weapons and mastery of the art was the product of a strict program of weapons training and discipline taught for more than 425 years to the most promising young Thai military men and nobles by the monks and teachers of the original Wat Phuttisawan school in Ayutthaya.

This unique two disc DVD set shot entirely on location in Thailand from 1993 through 1998 focuses on the life and work of the late Por Kru Samai Mesamarn and the unique system he crafted to survive the ancient Thai fighting traditions.

Disc 1 - Thai Warrior Heritage

A powerful and moving look at the life of the late Por Kru Samai Mesamarn (1914-1998) and his attempts to keep the art of Krabi Krabong alive. This detailed documentary uses archived photos and footage shot throughout his life to give a rare glimpse into how the training was developed and done on a daily basis.

Running time: 67 minutes plus Bonus Footage

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Disc 2 - The Primary Weapons

This DVD focuses on the use of the primary weapons: the single sword, double sword and staff with direct instruction from the late Por Kru Samai Mesamarn on how to properly develop these devastating weapons. Though based on only a few tenets - such as power, speed and simplicity - the art utilizes these techniques in combinations and variations of which there are endless permutations. The goal being the immediate response to an attack with quick, decisive strikes to incapacitate with sudden and unexpected force.

Running time: 85 minutes plus Bonus Footage

Reviewed by my friend Hugo:

There are two comprehensive disks in this incredible documentary, so I will review each one separately.



"Disk 1 - Thai Warrior Heritage," pays tribute to renowned weapons instructor Por Kru and a system of combat "born from the ashes of warfare". Background information is given on the environment the arts were developed in. Prominent historical figures like King U Thong and Phraya Pichai are covered, as well places and events, like Wat Pu Thai Sawan, the royal swordsmanship school that inspired the Buddhai Sawan.



One of the most interesting segments shows children learning basic Muay Boran training sets. Muay Boran, the bare-knuckle predecessor to Muay Thai, gives students a solid foundation "that integrates seamlessly into weapons work". The training sets are an efficient way to learn basic punches, kicks, knees and elbows. These techniques are eventually practiced in set sparring, and later in a light, strategic, freestyle manner. The ancient method of hand wrapping with ropes, inherited from the Muay Korat system of bare-knuckle boxing, is also shown.



Children practice Wei Kru, a dance-like set of movements that is part warm-up and part meditation, similar to what is seen before a Muay Thai match. The students' level of technique is impressive to say the least.



There are brief but captivating demonstrations of other forms of Krabi Krabong, like Lana, which is found in Northern Thailand, and the Muslim arts of the south. There are also a few examples of weapon arts from Burma, Cambodia, and Laos.



Three categories of weapons are covered (attack, protective, and projectile), as well as two single sword types, the staff, the shield, and other weapons. The names and numbering system behind the Standard Eight Drill are also introduced. Students practice two man drills and are taught the principles behind each weapon. First they learn how to battle against matched weapons and then move on unmatched weapons.



The disk is packed with ceremonial coverage, demonstration clips, and training footage. There is nothing on the market that covers the history and background of Krabi Krabong as well as "Disk 1 - Thai Warrior Heritage" does. This is essential information for anyone interested in Thai martial arts and traditional weapons in general.



"Disk 2 - The Primary Weapons", is an instructional that covers the basics of Por Kru's teaching methods. The Primary Weapons consist of the Daab Son Mue, or double swords, the Daab, or single sword, and the Krabong, or staff. The Standard Eight targets and the four series of cuts are drilled for each of the weapons. Nothing is added to the original teachings; they are presented in the order Por Kru taught them.



Although Disk 2 has very little narration, Vincent Giordano's experience as a cinematographer shines through. Footwork, body alignment, proper stance structure, and weight distribution are all clearly filmed under the watchful eye of Por Kru. Virtually every relevant angle is shown - no words necessary, although students do call out the names of the Standard Eight targets.



Anyone interested in traditional weaponry can benefit from this video. There is a strong emphasis on the basics. Students practice techniques in a slow, controlled manner, which makes it easy for viewers to grasp of the principals behind Krabi Krabong. Although the movements can be done solo, it is best to work in tandem with a partner.



The order in which the weapons and drills are taught show common threads that flow from one weapon to another. Por Kru was one of the first graduates of Thailand's physical education program; his ability to integrate new ways of teaching the ancient warrior arts was a stroke of genius. Disk 2 gives a taste of what it was like to train under such an accomplished master.



"Krabi Krabong: The Buddhai Sawan Path" contains is a true treasure for both academics and martial artists. Those familiar with Vincent Giordano's work, which documents the traditional arts of Southeast Asia, will appreciate the wealth of information contained in this set. Vincent also has an informative newsletter called The Vanishing Flame, as well as other DVDs that cover various arts.


Ordering Info

http://www.buddhaisawanpath.com/

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