Showing posts with label Jerry Poteet. Show all posts
Showing posts with label Jerry Poteet. Show all posts

Friday, November 29, 2013

Jerry Poteet's JKD Secrets - Book Excerpt

Today marks the 77th birthday of Poteet sifu. Earlier, I posted an article by him, found here:


Below is the 2nd posting in honor of what would've been his 77th birthday.

Happy 77th Birthday Poteet sifu!





Think you're studying original jeet kune do? You won't know for sure until you've read this excerpt from Jerry Poteet's controversial new book.

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CORRECT NO PASSIVE MOVES - Jerry and opponent face off (1).

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When he grabs behind Jerry's neck to clinch, Jerry shoots an uppercut inside (2).

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Jerry peels him away with a strike to the chin (3).

It was with mixed feelings that I wrote a book about my teacher, Bruce Lee's, art and philosophy of jeet kune do. While Bruce's elegant and precise art survives in some quarters, in other camps it has degenerated into endless drills, countless techniques or whatever form of "mixed martial arts" (all geared for sport), people wish to throw together.

It appears today as though there are as many camps teaching their interpretations of jeet kune do as there are definitions of jeet kune do itself. One of my favorite "camps" declares that jeet kune do is not much more than a straight lead and a few kicks. To borrow one of my teacher's favorite expressions, I hope this book "bridges the gap" between these two extremes and sheds new light on this unique and beautiful martial art. How can we best accomplish this? By defining and illuminating the underlying principles (true in all situations, unlike concepts, which may or may not hold true), of JKD:

First and foremost, jeet kune do translates as "the Way of the intercepting fist." It does not mean "the way of the eclectic fist"! As a non-classical fighting art, jeet kune do is based on skill, not on how many techniques, arts or forms you know. As my good friend and fellow jeet kune do teacher Steve Golden says, "Jeet kune do is simple (not a lot of moves), but not easy!"

In fact, it takes a tremendous level of skill to shut down an opponent with as few moves as possible. This means that to attain this skill level, each and every attack you launch must be devastating to your adversary. Jeet kune do is not for the dabbler or the faint of heart. Is your lead punch a "probe" or does it posses the necessary stopping power to shut down your opponent on the first move?

Simple-as in as few moves as possible? Yes. Easy-as in requiring supreme timing, distance, and power? Not a chance.

So, using the underlying principle of simplicity, we can now define the art. The definition of jeet kune do is: To intercept your opponent's intentions as quickly and efficiently as possible with the least amount of moves. This is why the principles of economy and simplicity are so essential to understanding JKD. As of this writing, "so-called" JKD practitioners are using four, five and even more moves to stop a simple jab! If you aren't hitting until the sixth movement, how can this be called jeet kune do? Why use 10 or even five movements when one will get the job done?

Allow me to use an analogy to illustrate my point: If I want to leave my house, would I crawl out a window, shimmy down the drainpipe, jump down two stories and hope to land in a tree? Or, would I simply walk out the front door? Wouldn't that be a more efficient way to leave? Isn't the simplest, non-complicated and most direct way the best?

According to the underlying principles of jeet kune do, the answer is always a resounding "yes." So by now, I hope you are seeing that jeet kune do is not merely "what works for you." That is probably something all together different from the true expression of JKD. The principles of interception and simplicity require a minimum of wasted movements on the part of the jeet kune do practitioner. It is truly the most sophisticated method of fighting, because it does not allow for even one response from your opponent. And for this to occur, the JKD man or woman has to be in complete control of his tools. Using this method, the opponent's intention to attack leads inevitably to his own defeat.

By delving into the guiding principles of jeet kune do, this book will offer insights into the true nature of the art. We will be discussing and demonstrating right and wrong whenever the principles are violated. These guiding principles include: Simplicity (Uncomplicated); Economy of Motion; Longest Weapon to the Nearest Target; No Passive Moves; and Attack the Attack. Once you appreciate the meaning of these principles, you can judge for yourself if you are expressing the JKD Way of Combat. While the task may seem daunting, I will repeat what my instructor, Bruce Lee, said to me when I balked at doing splits between two chairs: "Something to shoot for, Jerry!"

The NPM Principle-No Passive Moves

One of the most important, but least understood, aspects of jeet kune do is the No Passive Moves (NPM) Principle. Some years ago, I coined this term to explain the difference between jeet kune do and more classical martial arts. This is really the final stage of hitting on every move. (Bruce decided to call all attacks a "hit," whether with the hands, legs, etc.). This underlying principle is used in every range of combat.

The most basic response to every threat is a straight blast or a barrage of nonstop linear punches that intercepts the opponent's first move. It smothers the opponent and neutralizes any hope of follow-ups.

NPM Bob and Weave

The bob and weave or duck is one of the most common defenses taught against a hook. Here's how Bruce Lee modified it to fit his NPM principle: Instead of bobbing and coming up and then punching with a hook, the jeet kune do artist strives to hit on the first move, and each one thereafter. If you are caught and have to resort to a duck, etc., you would never use two passive (non-hitting) movements in a row.

Simplicity First

What could be simpler than no passive moves? It is much more complicated to defend first and then counter. But does simple (uncomplicated) mean it's easy? Just the opposite. When you see a punch flying at your head, it's much more instinctive to cover up, duck, block and turn away. So hitting on every move has to be trained until it is another JKD second-nature reflex. A reflex well worth acquiring, it is the essential principle in jeet kune do combat.


NPM of JKD INCORRECT
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Jerry prepares to attack (1).
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When he fires a punch, Dimitri parries (2)
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and parries again (3).
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He then does a pak sao (4)
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and finally hits (5).
 

CORRECT NPM

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On the opponent's first motion (1),
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Jerry explodes with a simultaneous pak sao and hit (2).



INCORRECT

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Dimitri and Jerry face off (1).
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Jerry fires a hook and Dimitri ducks (2).
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He comes up and outside (3)
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then counters with a hook punch (4).
 

CORRECT NPM

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Jerry and Dimitri square off (1).
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The opponent throws a wide hook and Jerry bobs down with a low body shot (2).
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He weaves up and outside (3)
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comes up with a backfist (4)
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and blasts his enemy with a hook (5). The difference in this response is that there is a hit between every move.
 



INCORRECT

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Dimitri and Jerry find themselves in a reference point (1).
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Dimitri pak sao's Jerry's arm (2).
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And then punches (3).



INCORRECT

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Jerry faces Dimitri (1).
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When he launches a hook kick Dimitri blocks with his leg (2).
 

CORRECT NPM

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Jerry and Dimitri square off (1).
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Jerry kicks Dimitri's standing leg when he throws a hook kick (2).
 

INCORRECT

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When Jerry grabs Dimitri's neck and pulls (1)
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Dimitri shifts back to counter (2).
 


Jerry Poteet is an original Los Angeles Chinatown student of Bruce Lee and the world's foremost authority on the art of jeet kune do.

Copied from http://www.insidekung-fu.com/content/view/68/37/


Jeet Kune Do Secrets by Jerry Poteet

Today marks the 77th birthday of Jerry Poteet. I'm going to post the first of 2 articles today in his honor. 2nd article can be found here:


Happy 77th Birthday Poteet sifu!

Enjoy!





First Generation Disciple Reveals Little-Known Bruce Lee Teachings on Self-Defense

   I first met Bruce Lee in 1964. At the time, I was one of Ed Parker's top kenpo black belts, and I had accompanied him to San Francisco to arrange the first International Karate Championship. While we were there, we decided to visit James Lee in nearby Oakland, California. His brother, Bruce, was staying with him.

The goal of jeet kune do is to stop an attack before it's launched. If that's not possible, it should be intercepted as early as possible during its execution.
   James had a wooden dummy, and while we all stood around socializing, Bruce walked over and suddenly started hitting it. He exploded like a machine gun, and the power of his blows shook the house to its foundations. After everyone else backed away, I approached the dummy. Even when I put all my weight into moving it, it didn't budge. I wondered, Who is this little guy who can generate so much power? I couldn't wait to train with him.

   Less than two years later, I became Lee's second student at his school in Los Angeles. He remained my teacher until he went to Hong Kong to make movies at the end of the 1960's. The fighting techniques and strategies I learned during that time were invaluable.

Throw the First Punch

   One day, after five of us had finished a session with Lee, he blurted out, "Jeet Kune Do is an offensive art rather than a defensive one."

   I was startled and confused by his declaration. "Do you mean," I asked, "that we should throw the first punch?"

Recreating Bruce

   Having trained with Bruce Lee
for nearly three years made
Jerry Poteet a logical choice to tutor Jason Scott Lee for his
role in Dragon: The Bruce Lee Story. Much of their time
together on the set entailed going over Bruce Lee-style basic
moves and footwork, as well as hours during which Poteet's
wife Fran drilled the actor in the best methods for wielding
the nunchaku. That did not present much of a challenge,
Jerry Poteet says, because Jason was so naturally athletic
that he ended up performing all his own martial arts scenes
except those that involved front flips and back flips.

   The jeet kune do instructor also reminisced about the legend's martial arts philosophies to help the young star understand the essence of the man he was portraying. "I told him that Bruce's attitudes and the integrity of the individual, and that Bruce was as good as his word," Poteet recalls.

   For example, Lee believed that many people who do the martial arts just execute a kick or a punch without becoming one with the technique, Poteet says. "He called it the difference between doing-where if you're kicking, you're just kicking-and being-where you are that kick. Once I got that across to Jason, he fit right into the role."

   -Sara Fogan




Jerry Poteet (left) faces his opponent (1). As soon as the man draws his fist back for a punch, Poteet blasts him with a backfist to the face (2-3). He immediately follows with a cross to the chin (4).



A grappler (right) accosts Jerry Poteet (1). When the man lays his right hand on the keet kune do expert, he prepares his plan of attack (2). When the assailant opens himself up by reaching out with his left hand, Poteet unleashes a punch to the groin (3). He rises to a more upright stance to deliver a barrage of palm heels to terminate the aggression.

Audio Awareness

   In addition to visual- and tactile-awareness drills, Bruce Lee employed audio-awareness training methods to quicken his students' reflexes. He would stand behind one of us while holding a set of clickers or sticks. Then he would hit them together, and we would execute a predetermined string of techniques as long as we heard a sound. Then he would stop the noise-usually in the middle of a sequence. If we didn't immediately halt our actions, we knew we had a lot of work to do.

   -J.P.



Jerry Poteet (left) focuses his visual awareness on his opponent and senses an impending attack (1). When the man extends his right arm, Poteet uses his tactile awarenss and responds with a punch to the chin (2). He follows up with a palm to the jaw (3) and a sweep to the floor (4).
   Lee shook his head. He explained that the JKD practitioner must strike while the opponent is preparing to attack or when he indicates his intention to attack.

   Noticing the perplexed look on my face, Lee motioned for me to come forward so he could demonstrate the principle. He had me chamber my fist to deliver a rear punch, and as I drew back, he hit me.

   He then instructed me not to telegraph my techniques. "Just assume the posture you would be in prior to throwing the punch," he said.

   I decided to try again. I shifted my weight from one foot to the other and clenched my fists. Once again, he hit me. "This time, I intercepted your attitude," he said.

   Lee explained that you should always strive to intercept your opponent's attack before he launches it-or at the very latest, while he's doing it. Intercepting is the jeet in jeet kune do, he said. Sadly, this principle and the training methods needed to master it are rare today. I sometimes see JKD practitioners wait for their opponent to attack before countering the technique. At at that point, it's often too late.

   To fully appreciate this concept, which I call ATA, or attack-the-attack, imagine allowing an assailant to shoot at you before starting to defend yourself. You may get lucky and avoid the bullet, then be able to incapacitate him. Then again, you may end up dead. Not only does this passive fighting strategy violate the cornerstone principle of jeet kune do, which is to always intercept the attack, it also puts you at least a full beat behind your opponent. Unless you're blessed with superhuman speed and are facing an unskilled opponent, this is an unwise course of action because you're forced to play catch-up. (Note, however, that it's acceptable to use a passive move to attack by drawing as you jockey around your opponent to find a position to score.)

   The goal of jeet kune do is to close the distance between yourself and your opponent and smother his attack with your own. It isn't complicated, but it requires a high level of visual and tactile awareness to master.

Open Your Eyes

   Visual awareness facilitiates medium- and long-range fighting. It requires you to be aware of every gesture or motion your opponent makes, such as shifting his weight from one foot to the other, bending his knees or drawing his hand back. According to Lee, any of those movements can be precursors to an assault. If you can see what he intends to do, you can head him off at the pass. Furthermore, you won't be distracted by an aggressor who feints or tries to nail you with a sucker punch.

   Unfortunately, many martial artists fail to train to improve their visual awareness. Even practitioners with extremely fast kicks and punches often get bested by a slower opponent because the lack visual speed, and they're too slow to react to him, let alone intercept his strikes.

   To help us develop visual awareness, Lee would stand in front of the class and make a variety of gestures. Every time he moved, we had to say, "Ooh." At first, his movements were obvious-such as a punch or a kick-but over time, they became more subtle-like a shift in balance or a twitch of a finger. We learned to become aware of even the slightest motion our opponent made, and that served as our cue to intercept the incoming technique. Since everybody telegraphs his attack, Lee told us, the ability to spot these motions can keep a martial artist at least a half-beat ahead of his opponent.

See With Your Hands

   Another important component of the ATA principle is tactile awareness, or touch. Utilized at close-contact range, it refers to the pressure that develops as the other person attacks you and to your ability to use it to find an opening in his defenses. The uncanny ability of Lee and other skilled JKD practitioners to employ this method to detect and stop an assault in its tracks can make them seem psychic.

   Lee advocated chi sao (sticky hands) drills to make tactile awareness more reflexive. Such training is done primarily by crossing hands with your opponent so you learn what happens if you exert too much or too little pressure.

   "In the softness, you want to give without yielding," Lee would say. "Hardness is like steel that is hidden in silk." If you're too strong, the other person will dissolve his movement and attack. If you're too soft, he'll run right over you.

   Many other fighting styles, including Greco-Roman wrestling, employ similar sensitivity drills. While this training method has great implications for neutralizing grappling attacks, you should never let skill in it convince you to play the grappler's game and voluntarily go to the ground. As he tries to close the distance and grab your legs to take you down or get you in a lock, you should stop his onslaught with a straight blast.

   Sensitivity drills are also a staple of old-time boxing, and they form the core of JKD's modified boxing techniques. You should practice blocking and parrying jabs and combinations to get used to them. As you become more advanced, however, you should try to intercept your partner's jab and cut through his block with your own-in true jeet kune do fashion.

Enjoy the Advantages

   As you can see, the ATA principle can be used against any type of offense. For example, if an assailant attempts a punch or kick, you can intercept his technique with your own attack. If he tries to take you down, you can hit him or kick him before he succeeds. Don't waste precious time blocking, parrying and slipping when you can beat him to the punch.

   When Bruce Lee named his art the "way of the intercepting fist," he meant it. And who are we to argue with the master?



About the author: Jerry Poteet is a free-lance writer and jeet kune do instructor based in Los Angeles. For more information, call (818) 981-1986 or visit http://www.jerrypoteet.com.

Published in Black Belt, July 2004.
Copied from http://www.fighttech.com/articles/bbm_0704/.

Tuesday, November 19, 2013

Jason Scott Lee - animated GIFs from Dragon: The Bruce Lee Story

It's the 47th birthday of Jason Scott Lee! Please check out:



Here are 3 animated GIFs of Jason Scott Lee in action from Dragon:  The Bruce Lee Story. I only made GIFs of him doing Jeet Kune Do-related techniques. The rest of the fights were too 'acrobatic'. The late Jerry Poteet did the JKD choreography.


Enjoy!















For more information on Jason Scott Lee:


Friday, December 21, 2012

My 400th Post! on 12/21/12 Maya Calendar - End of the World?!?!

Photo credit:  http://antranik.org/custom-anto-forecast/

Despite the weather forecast, if you are reading this post that means the End of the World according to the ancient Maya calendar didn't happen yet! WOOHOO!

Quick! Read the rest of this entry ... who knows when the world win end?!?! LOL

Monday, January 16, 2012

In Memory Of: Jerry Poteet







It is with deep sadness that I report that JKD legend Jerry Poteet has passed away. Another of Bruce Lee's original students has joined him training and trapping in Heaven. I fondly recall buying the early VHS series he had and working the material.

My deepest condolences to his loved ones and students.





For more information:

http://www.jerrypoteet.com/jerry-bio.php

http://en.wikipedia.org/wiki/Jerry_Poteet



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